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An old master print is a work of art produ … An old master print is a work of art produced by a printing process within the Western tradition. The term remains current in the art trade, and there is no easy alternative in English to distinguish the works of "fine art" produced in printmaking from the vast range of decorative, utilitarian and popular prints that grew rapidly alongside the artistic print from the 15th century onwards. Fifteenth-century prints are sufficiently rare that they are classed as old master prints even if they are of crude or merely workmanlike artistic quality. A date of about 1830 is usually taken as marking the end of the period whose prints are covered by this term. The main techniques used, in order of their introduction, are woodcut, engraving, etching, mezzotint and aquatint, although there are others. Different techniques are often combined in a single print. With rare exceptions printed on textiles, such as silk, or on vellum, old master prints are printed on paper. This article is concerned with the artistic, historical and social aspects of the subject; the article on printmaking summarizes the techniques used in making old master prints, from a modern perspective. Many great European artists, such as Albrecht Dürer, Rembrandt, and Francisco Goya, were dedicated printmakers. In their own day, their international reputations largely came from their prints, which were spread far more widely than their paintings. Influences between artists were also mainly transmitted beyond a single city by prints (and sometimes drawings), for the same reason. Prints therefore are frequently brought up in detailed analyses of individual paintings in art history. Today, thanks to colour photo reproductions, and public galleries, their paintings are much better known, whilst their prints are only rarely exhibited, for conservation reasons. But some museum print rooms allow visitors to see their collection, sometimes only by appointment, and large museums now present great numbers of prints online in very high-resolution enlargeable images.n very high-resolution enlargeable images.
, Mestres da gravura são considerados todos … Mestres da gravura são considerados todos aqueles artistas dos séculos XV a XVIII (até 1830) que iniciaram a arte da gravura dentro da tradição ocidental. As principais técnicas utilizadas nesse período foram a xilogravura, a gravura em metal e água-forte Raramente as gravuras eram feitas em papel.. Muitos artistas europeus como Albrecht Dürer, Rembrandt e Francisco Goya trabalharam com gravura. A fama internacional desses artistas, na época em que viveram, veio principalmente de suas gravuras, que eram mais populares que suas pinturas. Hoje em dia acontece o oposto: museus e galerias popularizaram suas pinturas enquanto que as gravuras, por razões de conservação, são raramente exibidas.es de conservação, são raramente exibidas.
, Karya cetak maestro lama adalah sebuah karya seni yang dibuat dengan proses cetak dalam tradisi Barat. Istilah tersebut masih dipakai dalam dan tak ada alternatif mudah untuk membedakannya dengan karya "seni rupa murni" yang dihasilkan dalam
, Друкована графіка— ряд відбитків (естампів … Друкована графіка— ряд відбитків (естампів), які зроблені з певних твердих поверхонь за допомогою різних технік друку. Так, зображення може бути відбито на камені, металі, дереві, лінолеумі за допомогою плоскої, високої або заглибленої техніки друку. Кожен з таких відбитків є кінцевим результатом і метою творчості графіка і має художню цінність.Друкована графіка демонструє:
* Характер художника;
* Темперамент художника;
* Настрій художника.мперамент художника;
* Настрій художника.
, On désigne dans le monde anglo-saxon par e … On désigne dans le monde anglo-saxon par estampe de vieux maître (Old master print) une œuvre d’art produite par un procédé d'impression dans la tradition occidentale. Le terme est toujours d'actualité dans le marché de l'art, et il est difficile de distinguer les estampes d'art de celles à destination décorative, utilitaire ou encore de l'estampe populaire qui se sont rapidement développées en parallèle à partir du XVe siècle. Les estampes de cette époque sont suffisamment rares pour être classées « estampes de vieux maître », même si leur qualité artistique n'est pas très élevée. La date d'environ 1830 est le plus souvent prise comme butoir pour marquer la fin de la période dont les estampes peuvent porter cette appellation. Les principales techniques concernées sont la xylographie, la chalcographie et la gravure (en particulier à l'eau-forte). À de rares exceptions comme des textiles tels que la soie ou le vélin, les impressions d'estampe de vieux maître sont faites sur du papier. Cet article traite des aspects artistiques, historiques et sociaux du sujet, tandis que l'article « Gravure » décrit les techniques utilisées dans la réalisation d'estampe de vieux maître, quoique d'une perspective moderne. Beaucoup de grands artistes européens, tels qu'Albrecht Dürer, Rembrandt et Francisco de Goya s'y sont consacrés. À leurs manières, leurs réputations internationales ont largement été le produit de leurs estampes, qui étaient beaucoup plus largement diffusées que leurs peintures. Les influences réciproques entre les artistes étaient également principalement transmises au-delà de leurs villes au moyen d'estampes. Aujourd'hui, grâce aux reproductions de photographies en couleur et aux galeries publiques, leurs peintures sont beaucoup plus connues, tandis que leurs impressions ne sont que rarement exposées, principalement pour des raisons de conservation.palement pour des raisons de conservation.
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| rdfs:comment |
Друкована графіка— ряд відбитків (естампів … Друкована графіка— ряд відбитків (естампів), які зроблені з певних твердих поверхонь за допомогою різних технік друку. Так, зображення може бути відбито на камені, металі, дереві, лінолеумі за допомогою плоскої, високої або заглибленої техніки друку. Кожен з таких відбитків є кінцевим результатом і метою творчості графіка і має художню цінність.Друкована графіка демонструє:
* Характер художника;
* Темперамент художника;
* Настрій художника.мперамент художника;
* Настрій художника.
, Mestres da gravura são considerados todos … Mestres da gravura são considerados todos aqueles artistas dos séculos XV a XVIII (até 1830) que iniciaram a arte da gravura dentro da tradição ocidental. As principais técnicas utilizadas nesse período foram a xilogravura, a gravura em metal e água-forte Raramente as gravuras eram feitas em papel..ramente as gravuras eram feitas em papel..
, Karya cetak maestro lama adalah sebuah karya seni yang dibuat dengan proses cetak dalam tradisi Barat. Istilah tersebut masih dipakai dalam dan tak ada alternatif mudah untuk membedakannya dengan karya "seni rupa murni" yang dihasilkan dalam
, On désigne dans le monde anglo-saxon par e … On désigne dans le monde anglo-saxon par estampe de vieux maître (Old master print) une œuvre d’art produite par un procédé d'impression dans la tradition occidentale. Le terme est toujours d'actualité dans le marché de l'art, et il est difficile de distinguer les estampes d'art de celles à destination décorative, utilitaire ou encore de l'estampe populaire qui se sont rapidement développées en parallèle à partir du XVe siècle. Les estampes de cette époque sont suffisamment rares pour être classées « estampes de vieux maître », même si leur qualité artistique n'est pas très élevée. La date d'environ 1830 est le plus souvent prise comme butoir pour marquer la fin de la période dont les estampes peuvent porter cette appellation.estampes peuvent porter cette appellation.
, An old master print is a work of art produ … An old master print is a work of art produced by a printing process within the Western tradition. The term remains current in the art trade, and there is no easy alternative in English to distinguish the works of "fine art" produced in printmaking from the vast range of decorative, utilitarian and popular prints that grew rapidly alongside the artistic print from the 15th century onwards. Fifteenth-century prints are sufficiently rare that they are classed as old master prints even if they are of crude or merely workmanlike artistic quality. A date of about 1830 is usually taken as marking the end of the period whose prints are covered by this term.iod whose prints are covered by this term.
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| rdfs:label |
Mestres da gravura
, Estampe de vieux maître
, Друкована графіка
, Old master print
, Karya cetak maestro lama
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