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The contributions and influence of America … The contributions and influence of American artist Madonna (born 1958) in the landscape of contemporary arts have been documented by a variety of sources such as art publications, mainstream media, scholars or art critics. As her footprints in the arts are lesser-known compared to her other roles, this led a contributor from W to conclude that both her impact and influence in the art world "has been made almost entirely behind the scenes". She is noted for taking inspiration from various painters in her career. Once called a "continuous multi-media art project", a panel of art critics explained that she condenses fashion, dance, photography, sculpture, music, video and painting in her own artwork. Madonna's interest in the arts began in her early life. When she moved to New York City to pursue a career in the modern dance, she befriended and dated various painters, graffiti, and visual artists, including Andy Warhol, Martin Burgoyne, Keith Haring and her boyfriend Jean-Michel Basquiat. Around that time, Madonna's graffiti tag was "Boy Toy", which later used in her professional career, and immortalized their friendship in the song "Graffiti Heart". Madonna is also an art collector, and was included in the Art & Antiques' 100 Biggest Collectors. In 2001, Madonna lent her Self-Portrait with Monkey by Frida Kahlo at the Tate Modern, which was the first British exhibition dedicated to Kahlo. She is also described as an "art supporter", and Brooklyn Museum acquired two pieces in their collection from funds of the singer. Madonna sponsored various art exhibitions of contemporary artists such as Basquiat, Cindy Sherman and Tina Modotti. Her other art-activities include to co-initiate "Art for Freedom" in 2012, runs the artistic installation X-STaTIC Pro=CeSS (2003) and create the NFT digital artworks, "Mother of Creation" along with Mike Winkelmann ("Beeple") in 2022, receiving a varied reviews by contemporary art critics and journalists. In the late-20th century, Madonna was widely discussed in the canon of low and high culture in a postmodernist context, mostly through her academic mini-discipline called Madonna studies, and for which she was deemed by some as a modernist. Madonna continued to attract both celebratory and derogatory reviews, while supporters like art historian Kyra Belán acknowledges her impact in the performing arts and other art forms, tagging her as the "symbol for female achievement", Dahlia Schweitzer summed up that many critics have long resisted using the words "Madonna" and "artistic" in the same sentence. Madonna was called a contemporary gesamtkunstwerk and American performing artist David Blaine suggested that perhaps she "is herself her own greatest work of art—something so vastly influential as to be unfathomable". Nicknamed the "Art-pop queen", Madonna is considered to be the "first female pop star to fully engage with the visual elements of her art". She is credited to make routine collaborations with pop artists, while others have placed her as an important figure for reinforcing the connections with the worlds of pop music and art. Her influence is found in various artists such as Mateo Blanco, Trisha Baga and Pegasus. She was also an important medium to the international wide-interest on Frida Kahlo. Several painters and artists have depicted her, in one or more times including the Madonnas of Peter Howson and Alberto Gironella. Her likeness and own works have been featured in art museums and art galleries around the world, including several portraits at National Portrait Gallery, London and in the United States, as well being part of the Museum of Modern Art's permanent collection with her video "Bedtime Story". A book called Madonna in Art (2004) documents her impact in the arts, and includes artworks of 116 artists from 23 countries, including Andrew Logan, Sebastian Krüger and Al Hirschfeld.Logan, Sebastian Krüger and Al Hirschfeld.
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"Bedtime Story" briefly the most expensive music video in history, shows references of numerous surrealists. Is part of Museum of Modern Art's permanent collection.
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Madonna used her graffiti tag "Boy Toy" as a belt buckle in her dress worn in Like a Virgin and childlike animations in the style of her friend Keith Haring in her Sticky & Sweet Tour
, Madonna showing fan arts in the backdrop videos of her Rebel Heart Tour
, Exhibition Como una oración: Las Madonnas de Javier Restrepo Cuartas
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Exposición Como una oración. Las madonnas de Javier Restrepo Cuartas - 8208909989.jpg
, Exposición Como una oración. Las madonnas de Javier Restrepo Cuartas - 8208911485.jpg
, 2000.0
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Within the art world, Madonna is almost as well known for being a collector as she is for her music.
, [Madonna is] perhaps one of the most visually savvy humans on earth.
, Madonna's performances are art, after all—art that incorporates a play of sometimes conflicting social and political ideas
, Her enormous commercial success is often held against her [...] as evidence that she prostitutes her art .
, For me, Madonna has became even more important than any art movement in terms of history and popular culture
, Madonna's presence at the museum is an ins … Madonna's presence at the museum is an instance of the implosion of high and low culture that has generally been regarded as both the end of a modernist aesthetic and its displacement and sublimation by a postmodern, multicultural aesthetic based on identity politics, oriented toward performance.ity politics, oriented toward performance.
, The fact that her work could provoke such a lively debate was surely a sign of its cultural significance, if not of its high aesthetic value.
, It's pretty much impossible to deny Madonna is the modern master of performance art
, The story of Madonna's origins as an artist is as important as the music itself in understanding the impact she's had [..]
, Naturally [...] many visual artists have been inspired to depict Madonna.
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—Silvia Prada in Dazeds article: "Madonna interpreted by contemporary artists" .
, —David Schonauer, editor-in-chief of American Photo .
, —Malina Bickford of Vice .
, —Lani Seelinger from The Culture Trip .
, —Richard R. Burt about Madonna at Los Angeles County Museum of Art's exhibition "Degenerate Art".
, —Genders, academic journal of University of Texas Press .
, —British art historian John A. Walker .
, —Paul Thom, dean of arts at Australian National University .
, —British art historian John A. Walker, about the reception of Madonna's broadcast profile in the arts-based BBC1 series Omnibus.
, —Samuel R. Murrian from American nationwide magazine, Parade .
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The contributions and influence of America … The contributions and influence of American artist Madonna (born 1958) in the landscape of contemporary arts have been documented by a variety of sources such as art publications, mainstream media, scholars or art critics. As her footprints in the arts are lesser-known compared to her other roles, this led a contributor from W to conclude that both her impact and influence in the art world "has been made almost entirely behind the scenes". She is noted for taking inspiration from various painters in her career. Once called a "continuous multi-media art project", a panel of art critics explained that she condenses fashion, dance, photography, sculpture, music, video and painting in her own artwork.ic, video and painting in her own artwork.
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Madonna and contemporary arts
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