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Koncepta arto (angle: conceptual art) aŭ k … Koncepta arto (angle: conceptual art) aŭ konceptismo (el la latina conceptus - penso, reprezentado) estas belarta skolo, kiu aperis en Novjorko (Usono) en 1965 por kiu la ideo de aŭ la koncepto estas pli grava ol estetikaj aŭ material-teknikaj konsideroj. Konceptismo estas literatura kaj arta direkto de postmodernismo , kiu konkretiĝis fine de la 60-aj jaroj kaj fruaj 70-aj jaroj de la 20-a jarcento en Usono kaj Eŭropo. Koncepta arto preferas pli la ideon, la projekton ol ĝia realigo. En ekspozicioj ĝiaj reprezentantoj prezentas skizojn, difinojn, klarigojn, prefere ol finitajn artaĵojn. Koncepta arto ne alvokas emocian percepton, sed al intelekta pripensado pri tio, kion oni vidas. Por konceptaj artistoj, artverkoj ĉefe celas defii la intelekton. Tiel komprenita koncepta arto ne devas esti bela kaj eĉ ne devas esti palpebla aŭ esti iu objekto. Sol Lewitt klarigis en 1967, ke li komencis kun ideo, koncepto, prefere ol formo. La ideo estas la maŝino, kiu realigas la artaĵon. En 1970 okazis la unua koncepta arta ekspozicio. Konceptaj artoj kaj konceptaj artistoj okazis en la Kultura Centro de Novjorko. Konceptistoj ofte uzis pretajn objektojn, tamen, malgraŭ la utilaj funkcioj en ili, ili donis al ili tute alian signifon. Sol Levitt, en artikolo en 1967 por la revuo ArtForum , proponis ĉi tiun difinon de koncepta arto: "... La celo de artisto okupita pri koncepta arto estas igi sian verkon intelekte interesa por la spektanto, tamen ne tuŝante sian animon ." Malakceptante la ideon ke arto devas nepre estetike plaĉi, konceptaj artistoj laboras en diversaj kampoj, inkluzive de spektakla arto (angle performance art), video-arto kaj landarto. Konceptaj artistoj ofte kreas nekutimajn provizorajn instalaĵojn, kiuj laŭ la ideo devas vastigi la limojn de percepto kaj fari arton alirebla por ĉiuj.percepto kaj fari arton alirebla por ĉiuj.
, Konceptkonst eller konceptuell konst är en … Konceptkonst eller konceptuell konst är en konstform, som huvudsakligen utvecklades under 1960-talets andra hälft i USA och Europa. Begreppet lanserades 1961 av den amerikanske konstnären (född 1940). Begreppet konceptuell konst innebar en expansion av begreppet konst på flera plan. Det är en konstform baserad på att idén, eller konceptet, tar överhanden över materiella eller estetiska överväganden. Den hade sina rötter i avantgardistiska rörelser under 1900-talets första hälft, exempelvis dadaism, fluxus, happening, minimalism och liknande institutionskritiska förhållningssätt. Ofta framhålls Marcel Duchamps praktik som en utgångspunkt. Ursprungligen var rörelsen en radikal företeelse som kritiserade den moderna konstens fokus på formalism och medium. Den propagerade för en konst som fokuserade på sociala och politiska frågor och var till sin form den första globala konströrelsen, eftersom den bestämt vände sig mot en västerländsk formkanon. Detta påstående har dock kritiserats, för trots att rörelsen uppstod på många platser vid ungefär samma tidpunkt, har ändå de engelskspråkiga konstnärerna kommit att inta en dominerande ställning. Detta har senare resulterat i försök att lyfta fram "bortglömda" konceptkonstnärer runt om i världen.ömda" konceptkonstnärer runt om i världen.
, A arte conceptual ou arte conceitual iniciou na década de 1960 e adentrou nos anos setenta. Este movimento artístico abriu mão do formalismo e dos objetos para se concentrar em ideias e conceitos.
, L'art conceptual és un moviment artístic f … L'art conceptual és un moviment artístic fill del dadaisme que es va posar de moda poc abans de 1970 i en què el concepte o la idea és l'únic que interessa. No dona cap importància a les habilitats físiques ni tècniques, ni als aspectes estètics o materials. En molts casos la idea és l'obra en si mateixa i, al segle xxi, alguns artistes l'han dut fins a l'extrem d'exposar únicament un text escrit amb la idea, perquè tota la part visual es generi a la ment de l'espectador. Continua sent present en molts corrents artístics. Alguns autors destacats són Joseph Beuys, Marcel Duchamp, Félix González Torres, George Maciunas, Sol LeWitt, Wolf Vostell i Eva Hesse.nas, Sol LeWitt, Wolf Vostell i Eva Hesse.
, コンセプチュアル・アート (Conceptual art) は、1960年代から1970年代にかけて世界的に行われた前衛芸術運動。 日本には概念芸術や観念芸術と紹介され、高松次郎、松澤宥、らが「日本概念派」といわれた。 1966年から1972年にかけてが最盛期。 アイデア・アート (Idea art) とも呼ばれた。その後ゲンジョ・グランが別途「Idea art」を定義した。 この項では、当時もっとも先鋭的だった欧米の動きについて概観する。
, El arte conceptual es un movimiento artíst … El arte conceptual es un movimiento artístico en el que la conceptualización o la idea es más importante que la obra de arte como objeto físico o material. Las ideas prevalecen sobre sus aspectos formales o sensibles a modo de que lo artístico es el concepto, favoreciendo la reducción a lo mental y prescindiendo de la realización material, indiferente a la técnica, el material o la forma que se utilice para representarlo. Varios autores hablan acerca del devenir del arte contemporáneo como un arte post-conceptual, sugiriendo el gran impacto que el arte conceptual en su origen ha tenido en la evolución general del arte en décadas posteriores. general del arte en décadas posteriores.
, Si definisce arte concettuale qualunque es … Si definisce arte concettuale qualunque espressione artistica in cui i concetti e le idee espresse siano più importanti del risultato estetico e percettivo dell'opera stessa. Il movimento artistico che porta questo nome si è sviluppato negli Stati Uniti a partire dalla seconda metà degli anni sessanta e si è velocemente propagato in quasi tutto il mondo, Italia compresa. in quasi tutto il mondo, Italia compresa.
, Konzeptkunst (englisch conceptual art) ist eine in den 1960er-Jahren durch den US-amerikanischen Künstler Henry Flynt geprägte Bezeichnung für eine moderne Kunstrichtung.
, الفن المفاهيمي والذي يُسمى أحيانًا بالمذهب … الفن المفاهيمي والذي يُسمى أحيانًا بالمذهب التصوري، هو فن تشترك فيه المفاهيم أو الأفكار في الأعمال التي يكون لها الأولوية على الاهتمامات المادية والجمالية التقليدية. ويمكن لأي فرد ببساطة إنشاء العديد من أعمال الفن التصوري، والتي تُسمى أحيانًا بالأعمال المركبة عن طريق اتباع مجموعة من التعليمات المكتوبة. وكان هذا الأسلوب من الأساليب الأساسية التي استخدمها الفنان الأمريكي سول لويت في تعريف الفن التصوري، وهو أحد أول الفنون التي ظهرت مطبوعة: في الفن التصوري، تعد الفكرة أو التصور أهم جانب من جوانب العمل. عندما يستخدم الفنان نموذجًا تصوريًا للفن، فإن ذلك يعني بأن جميع عمليات التخطيط وصنع القرارات تمت مسبقًا وأن التنفيذ هو أمر روتيني. وتصبح الفكرة هي الآلة المنتجة للفن. يؤكد توني جودفري، مؤلف كتاب الفن التصوري (فن وأفكار) (1998)، أن الفن التصوري يتساءل عن طبيعة الفن، وهي الفكرة التي ارتقى بها جوزيف كوسيث في تعريف الفن نفسه في عمله الإبداعي، البيان المبكر للفن التصوري، «الفن وراء الفلسفة» (1969). وقد مثلت فكرة ضرورة قيام الفن بفحص طبيعته الخاصة جانبًا قويًا بالفعل من رؤية الناقد الفني البارز كليمنت جرينبرج للفن الحديث خلال خمسينيات القرن العشرين. ولكن مع ظهور الفن القائم على اللغة بشكل حصري في ستينيات القرن العشرين، بدأ فنانو المذهب التصوري مثل جوزيف كوسيث ولورنس وينر والمجموعة الإنجليزية في طرح التساؤلات حول الفن بشكل أكثر راديكالية مما كان ممكنًا في السابق (انظر أدناه). كان أحد أهم الأشياء التي تساءلوا عنها هي الافتراض الشائع بأن دور الفنان يتمثل في خلق أنواع خاصة من الأشياء المادية. ومن خلال ارتباطه بشباب الفنانين البريطانيين وحصوله على جائزة تيرنر خلال تسعينيات القرن العشرين، وفي الاستخدام العام، لاسيما في المملكة المتحدة، جاء «الفن التصوري» للدلالة على جميع أشكال الفن المعاصر التي لا تمارس المهارات التقليدية للتصوير والنحت. ويمكن القول بأن أحد الأسباب التي جعلت مصطلح «الفن التصوري» يرتبط بالممارسات المعاصرة المختلفة بعيدًا عن أهدافه وأشكاله الأصلية يتمثل في مشكلة تعريف المصطلح ذاته. وكما أشار الفنان ميل بوخنر في وقت مبكر من عام 1970، في شرح أسباب عدم ميله لصفة «تصوري»، وهي عدم الوضوح الدائم والكامل لما يشير إليه مصطلح «التصور»، نظرًا لإمكانية الخلط بينه وبين «النية». ومن ثم، فعند وصف عمل فني أو تعريفه كعمل تصوري، من المهم عدم الخلط بين ما تتم الإشارة إليه باعتباره «تصوريًا» وبين «نية» الفنان.إليه باعتباره «تصوريًا» وبين «نية» الفنان.
, Это статья об искусстве XX века. См. также … Это статья об искусстве XX века. См. также Концептуализм в философии Концептуа́льное иску́сство, концептуали́зм (от лат. conceptus — мысль, представление) — литературно-художественное направление постмодернизма, оформившееся в конце 60-х — начале 70-х годов XX века в Америке и Европе. В концептуализме концепция произведения важнее его физического выражения, цель искусства — в передаче идеи. Концептуальные объекты могут существовать в виде фраз, текстов, схем, графиков, чертежей, фотографий, аудио- и видео- материалов. Объектом искусства может стать любой предмет, явление, процесс, поскольку концептуальное искусство представляет собой чистый художественный жест. Один из основоположников течения с художниками группы Искусство и язык, американский художник Джозеф Кошут, видел значение концептуализма в «коренном переосмыслении того, каким образом функционирует произведение искусства — или как функционирует сама культура … искусство — это сила идеи, а не материала». Классическим образцом концептуализма стала его композиция «Один и три стула» (1965), включающая стул, его фотографию и описание предмета из словаря. Концептуальное искусство обращается не к эмоциональному восприятию, а к интеллектуальному осмыслению увиденного.к интеллектуальному осмыслению увиденного.
, Концептуальне мистецтво — мистецький рух п … Концептуальне мистецтво — мистецький рух постмодернізму, що теоретично базується на засадах філософії концептуалізму, склався в кінці 1960-х років під впливом дадаїстів, майстрів поп-арту й мінімального мистецтва. Концептуалісти ставлять своїм завданням перехід мистецтва від виконання художніх творів до вільних від матеріального втілення «художніх ідей» (т. з. концептів — загальних уявлень). Творчість осмислюється концептуалістами як близький по духу хеппенінгу, але статично зафіксований процес залучення глядача в «гру ідей». Це оформляється у вигляді графіків, діаграм, схем, цифр, формул, написів тощо. Помітний вплив на поширення ідей концептуалізму в різних країнах мали представники московського Ілля Кабаков, Віктор Півоваров та Едуард Гороховський та інші, які працювали значну частину життя в еміграції. Одним з перших концептуалістів в Україні вважають Вілена Барського, який почав створювати концептуальні колажі у 1960-х роках. У 70-і роки вирізнялись епатажні роботи харків'янина Вагріча Бахчаняна, а також значна частина робіт киян Валерія Ламаха, Федора Тетянича , Миколи Тригуба.Серед Одеських художників своєрідне концептуальне мистецтво у 1970-80-х створювали , Володимир Федоров, , , , Людмила Скрипкіна, (група «АПТАРТ») та ін. Починаючи з 1990-х концептуальні практики використовують Фонд Мазоха та Олег Тістол (що деякі мистецтвознавці вважають неоконцептуалізмом). Риси концептуалізму притаманні творчості Бориса Михайлова, Анатоля Степаненко, Алевтини Кахідзе та ін.натоля Степаненко, Алевтини Кахідзе та ін.
, Arte kontzeptuala 1960ko hamarkadan sortutako arte-mugimendua da, askotariko adierazpenak dituena. Guztiek partekatzen duten ideia nagusia hau da: artelana ez da artistak sortutako objektu fisiko soil bat, kontzeptu eta ideia multzo bat baizik.
, Conceptual art, also referred to as concep … Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called installations, may be constructed by anyone simply by following a set of written instructions. This method was fundamental to American artist Sol LeWitt's definition of conceptual art, one of the first to appear in print: In conceptual art the idea or concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art. Tony Godfrey, author of Conceptual Art (Art & Ideas) (1998), asserts that conceptual art questions the nature of art, a notion that Joseph Kosuth elevated to a definition of art itself in his seminal, early manifesto of conceptual art, Art after Philosophy (1969). The notion that art should examine its own nature was already a potent aspect of the influential art critic Clement Greenberg's vision of Modern art during the 1950s. With the emergence of an exclusively language-based art in the 1960s, however, conceptual artists such as Art & Language, Joseph Kosuth (who became the American editor of Art-Language), and Lawrence Weiner began a far more radical interrogation of art than was previously possible (see ). One of the first and most important things they questioned was the common assumption that the role of the artist was to create special kinds of material objects. Through its association with the Young British Artists and the Turner Prize during the 1990s, in popular usage, particularly in the United Kingdom, "conceptual art" came to denote all contemporary art that does not practice the traditional skills of painting and sculpture. One of the reasons why the term "conceptual art" has come to be associated with various contemporary practices far removed from its original aims and forms lies in the problem of defining the term itself. As the artist Mel Bochner suggested as early as 1970, in explaining why he does not like the epithet "conceptual", it is not always entirely clear what "concept" refers to, and it runs the risk of being confused with "intention". Thus, in describing or defining a work of art as conceptual it is important not to confuse what is referred to as "conceptual" with an artist's "intention"."conceptual" with an artist's "intention".
, Konceptuální umění je spíše nežli forma um … Konceptuální umění je spíše nežli forma umění forma nazírání na umění – idea umění a umění samotné jsou jedno a totéž. Jinými slovy – slovní definice uměleckého díla, jeho fotografická a materiální reprezentace, výsledek jsou pro konceptuálního umělce rovnocenné a tudíž stejně hodnotné. Konceptuální umění je tedy při zachování idey či jiné formy reprezentace opakovatelné.y či jiné formy reprezentace opakovatelné.
, L'art conceptuel est un mouvement de l'art … L'art conceptuel est un mouvement de l'art contemporain apparu dans les années 1960 mais dont les origines remontent aux ready-made de Marcel Duchamp au début du XXe siècle. L'art est défini non par les propriétés esthétiques des objets ou des œuvres, mais seulement par le concept ou l'idée de l'art.ulement par le concept ou l'idée de l'art.
, 概念藝術（英語：Conceptual art）發生於1960年代的美國，不但已經在美术或視覺藝術領域中佔一席之地，也對當代藝術教育及其他藝術相關活動產生啟發性影響。觀念藝術是藝術的一種，主張作品所牽涉的意念比當中的物質性甚至傳統美學更為重要。部分人反對觀念藝術，當中的代表者為反觀念藝術主義者。
, 개념 미술(conceptual art)은 작품에 포함된 개념 또는 관념이 전 … 개념 미술(conceptual art)은 작품에 포함된 개념 또는 관념이 전통적인 미학적, 기술적, 물질적인 것보다 선행하는 미술이다. 설치 미술로 불리는 일부 개념 미술 작품은 이미 작성된 안내를 따라 누구라도 간단히 구축될 수 있다. 이러한 방법은 미국의 예술가인 솔 르윗(Sol LeWitt)의 개념 미술에 대한 정의에서 근본적인 것이었다. 개념 미술에서 관념이나 개념은 작품의 중요한 측면이다. 예술가가 예술의 개념적인 형태를 사용할 때, 이는 계획과 결정의 모든 것이 미리 이뤄져 있으며, 실행은 형식적인 작업에 불과하다. 관념은 예술을 만드는 기계가 된다. In conceptual art the idea or concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art. ⟪개념 미술⟫의 저자 토니 갓프리(Tony Godfrey)는 개념 미술은 예술의 본성에 의문을 제기한다고 주장한다. 예술이 스스로 자신의 본성을 검토하여야 한다는 개념은 1950년대의 영향력 있던 미술 평론가 클레먼트 그린버그(Clement Greenberg)의 현대 미술에 대한 통찰의 중요한 측면이었다. 언어를 기반으로 하는 미술의 등장과 함께 조셉 코수스(Joseph Kosuth), 로렌스 위너(Lawrence Weiner), 아트 앤드 랭귀지 그룹은 예술에 대한 과거에 가능했던 것보다 훨씬 급진적인 의문을 제기하였다. 그들이 의문을 제기한 최초이자 가장 중요한 것 중 하나는 예술가의 역할이 특정한 종류의 물질적인 객체를 창작하는 것이라는 일반적인 가정이었다. 1990년대의 영 브리티시 아티스트와 터너 상의 연합으로, 대중적인 용법에서, 특히 영국에서, 개념 미술은 회화와 조각의 전통적인 기술을 실천하지 않는 모든 현대 미술을 지칭하게 되었다. Mel Bochner은 1970년대 초에 왜 그가 개념적인(conceptual)이라는 형용사를 좋아하지 않는지를 설명하며 개념이 말하는 것이 언제나 완전히 명확하지 않고 "의도"와 혼동될 위험이 있다고 말하였다.것이 언제나 완전히 명확하지 않고 "의도"와 혼동될 위험이 있다고 말하였다.
, Conceptuele kunst (conceptual art) is een kunstvorm waarbij het idee ofwel het concept belangrijker is dan esthetische of materiaal-technische afwegingen.
, Sztuka konceptualna (od łac. conceptus - p … Sztuka konceptualna (od łac. conceptus - pojęcie) – nurt sztuki XX-wiecznej, zasadzający się na eksponowaniu samego procesu twórczego - najważniejszy w dziele sztuki jest koncept, idea. W rezultacie artyści tego nurtu odrzucili prymat przedmiotu nad ideą, przy jednoczesnym mocnym podkreśleniu intelektualnego charakteru twórczości. Inne nazwy to sztuka pojęciowa, zdematerializowana, postprzedmiotowa (post-object art), Kunst-im-Kopf. Terminu peinture conceptuelle użył Guillaume Apollinaire w stosunku do kubizmu, miało to podkreślić intelektualny charakter tego malarstwa. W 1963 ukazał się artykuł Concept Art, w 1967 Sol LeWitta Paragraphs of Conceptual Art, w roku 1969 grupa zaczęła wydawać pismo o tej samej nazwie, wtedy też Joseph Kosuth opublikował artykuł Art after Philosophy. opublikował artykuł Art after Philosophy.
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コンセプチュアル・アート (Conceptual art) は、1960年代から1970年代にかけて世界的に行われた前衛芸術運動。 日本には概念芸術や観念芸術と紹介され、高松次郎、松澤宥、らが「日本概念派」といわれた。 1966年から1972年にかけてが最盛期。 アイデア・アート (Idea art) とも呼ばれた。その後ゲンジョ・グランが別途「Idea art」を定義した。 この項では、当時もっとも先鋭的だった欧米の動きについて概観する。
, Konceptkonst eller konceptuell konst är en konstform, som huvudsakligen utvecklades under 1960-talets andra hälft i USA och Europa. Begreppet lanserades 1961 av den amerikanske konstnären (född 1940).
, Konceptuální umění je spíše nežli forma um … Konceptuální umění je spíše nežli forma umění forma nazírání na umění – idea umění a umění samotné jsou jedno a totéž. Jinými slovy – slovní definice uměleckého díla, jeho fotografická a materiální reprezentace, výsledek jsou pro konceptuálního umělce rovnocenné a tudíž stejně hodnotné. Konceptuální umění je tedy při zachování idey či jiné formy reprezentace opakovatelné.y či jiné formy reprezentace opakovatelné.
, Это статья об искусстве XX века. См. также … Это статья об искусстве XX века. См. также Концептуализм в философии Концептуа́льное иску́сство, концептуали́зм (от лат. conceptus — мысль, представление) — литературно-художественное направление постмодернизма, оформившееся в конце 60-х — начале 70-х годов XX века в Америке и Европе. Концептуальное искусство обращается не к эмоциональному восприятию, а к интеллектуальному осмыслению увиденного.к интеллектуальному осмыслению увиденного.
, Koncepta arto (angle: conceptual art) aŭ k … Koncepta arto (angle: conceptual art) aŭ konceptismo (el la latina conceptus - penso, reprezentado) estas belarta skolo, kiu aperis en Novjorko (Usono) en 1965 por kiu la ideo de aŭ la koncepto estas pli grava ol estetikaj aŭ material-teknikaj konsideroj. Konceptismo estas literatura kaj arta direkto de postmodernismo , kiu konkretiĝis fine de la 60-aj jaroj kaj fruaj 70-aj jaroj de la 20-a jarcento en Usono kaj Eŭropo. Koncepta arto preferas pli la ideon, la projekton ol ĝia realigo. En ekspozicioj ĝiaj reprezentantoj prezentas skizojn, difinojn, klarigojn, prefere ol finitajn artaĵojn., klarigojn, prefere ol finitajn artaĵojn.
, L'art conceptual és un moviment artístic f … L'art conceptual és un moviment artístic fill del dadaisme que es va posar de moda poc abans de 1970 i en què el concepte o la idea és l'únic que interessa. No dona cap importància a les habilitats físiques ni tècniques, ni als aspectes estètics o materials. En molts casos la idea és l'obra en si mateixa i, al segle xxi, alguns artistes l'han dut fins a l'extrem d'exposar únicament un text escrit amb la idea, perquè tota la part visual es generi a la ment de l'espectador. Continua sent present en molts corrents artístics. Alguns autors destacats són Joseph Beuys, Marcel Duchamp, Félix González Torres, George Maciunas, Sol LeWitt, Wolf Vostell i Eva Hesse.nas, Sol LeWitt, Wolf Vostell i Eva Hesse.
, 개념 미술(conceptual art)은 작품에 포함된 개념 또는 관념이 전 … 개념 미술(conceptual art)은 작품에 포함된 개념 또는 관념이 전통적인 미학적, 기술적, 물질적인 것보다 선행하는 미술이다. 설치 미술로 불리는 일부 개념 미술 작품은 이미 작성된 안내를 따라 누구라도 간단히 구축될 수 있다. 이러한 방법은 미국의 예술가인 솔 르윗(Sol LeWitt)의 개념 미술에 대한 정의에서 근본적인 것이었다. 개념 미술에서 관념이나 개념은 작품의 중요한 측면이다. 예술가가 예술의 개념적인 형태를 사용할 때, 이는 계획과 결정의 모든 것이 미리 이뤄져 있으며, 실행은 형식적인 작업에 불과하다. 관념은 예술을 만드는 기계가 된다. In conceptual art the idea or concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art.idea becomes a machine that makes the art.
, L'art conceptuel est un mouvement de l'art … L'art conceptuel est un mouvement de l'art contemporain apparu dans les années 1960 mais dont les origines remontent aux ready-made de Marcel Duchamp au début du XXe siècle. L'art est défini non par les propriétés esthétiques des objets ou des œuvres, mais seulement par le concept ou l'idée de l'art.ulement par le concept ou l'idée de l'art.
, Konzeptkunst (englisch conceptual art) ist eine in den 1960er-Jahren durch den US-amerikanischen Künstler Henry Flynt geprägte Bezeichnung für eine moderne Kunstrichtung.
, Arte kontzeptuala 1960ko hamarkadan sortutako arte-mugimendua da, askotariko adierazpenak dituena. Guztiek partekatzen duten ideia nagusia hau da: artelana ez da artistak sortutako objektu fisiko soil bat, kontzeptu eta ideia multzo bat baizik.
, الفن المفاهيمي والذي يُسمى أحيانًا بالمذهب … الفن المفاهيمي والذي يُسمى أحيانًا بالمذهب التصوري، هو فن تشترك فيه المفاهيم أو الأفكار في الأعمال التي يكون لها الأولوية على الاهتمامات المادية والجمالية التقليدية. ويمكن لأي فرد ببساطة إنشاء العديد من أعمال الفن التصوري، والتي تُسمى أحيانًا بالأعمال المركبة عن طريق اتباع مجموعة من التعليمات المكتوبة. وكان هذا الأسلوب من الأساليب الأساسية التي استخدمها الفنان الأمريكي سول لويت في تعريف الفن التصوري، وهو أحد أول الفنون التي ظهرت مطبوعة:صوري، وهو أحد أول الفنون التي ظهرت مطبوعة:
, Si definisce arte concettuale qualunque es … Si definisce arte concettuale qualunque espressione artistica in cui i concetti e le idee espresse siano più importanti del risultato estetico e percettivo dell'opera stessa. Il movimento artistico che porta questo nome si è sviluppato negli Stati Uniti a partire dalla seconda metà degli anni sessanta e si è velocemente propagato in quasi tutto il mondo, Italia compresa. in quasi tutto il mondo, Italia compresa.
, Conceptual art, also referred to as concep … Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called installations, may be constructed by anyone simply by following a set of written instructions. This method was fundamental to American artist Sol LeWitt's definition of conceptual art, one of the first to appear in print: art, one of the first to appear in print:
, Концептуальне мистецтво — мистецький рух п … Концептуальне мистецтво — мистецький рух постмодернізму, що теоретично базується на засадах філософії концептуалізму, склався в кінці 1960-х років під впливом дадаїстів, майстрів поп-арту й мінімального мистецтва. Концептуалісти ставлять своїм завданням перехід мистецтва від виконання художніх творів до вільних від матеріального втілення «художніх ідей» (т. з. концептів — загальних уявлень). Творчість осмислюється концептуалістами як близький по духу хеппенінгу, але статично зафіксований процес залучення глядача в «гру ідей». Це оформляється у вигляді графіків, діаграм, схем, цифр, формул, написів тощо.діаграм, схем, цифр, формул, написів тощо.
, Conceptuele kunst (conceptual art) is een kunstvorm waarbij het idee ofwel het concept belangrijker is dan esthetische of materiaal-technische afwegingen.
, Sztuka konceptualna (od łac. conceptus - p … Sztuka konceptualna (od łac. conceptus - pojęcie) – nurt sztuki XX-wiecznej, zasadzający się na eksponowaniu samego procesu twórczego - najważniejszy w dziele sztuki jest koncept, idea. W rezultacie artyści tego nurtu odrzucili prymat przedmiotu nad ideą, przy jednoczesnym mocnym podkreśleniu intelektualnego charakteru twórczości. Inne nazwy to sztuka pojęciowa, zdematerializowana, postprzedmiotowa (post-object art), Kunst-im-Kopf. Terminu peinture conceptuelle użył Guillaume Apollinaire w stosunku do kubizmu, miało to podkreślić intelektualny charakter tego malarstwa. W 1963 ukazał się artykuł Concept Art, w 1967 Sol LeWitta Paragraphs of Conceptual Art, w roku 1969 grupa zaczęła wydawać pismo o tej samej nazwie, wtedy też Joseph Kosuth opublikował artykuł Art after Philosophy. opublikował artykuł Art after Philosophy.
, El arte conceptual es un movimiento artíst … El arte conceptual es un movimiento artístico en el que la conceptualización o la idea es más importante que la obra de arte como objeto físico o material. Las ideas prevalecen sobre sus aspectos formales o sensibles a modo de que lo artístico es el concepto, favoreciendo la reducción a lo mental y prescindiendo de la realización material, indiferente a la técnica, el material o la forma que se utilice para representarlo. forma que se utilice para representarlo.
, 概念藝術（英語：Conceptual art）發生於1960年代的美國，不但已經在美术或視覺藝術領域中佔一席之地，也對當代藝術教育及其他藝術相關活動產生啟發性影響。觀念藝術是藝術的一種，主張作品所牽涉的意念比當中的物質性甚至傳統美學更為重要。部分人反對觀念藝術，當中的代表者為反觀念藝術主義者。
, A arte conceptual ou arte conceitual iniciou na década de 1960 e adentrou nos anos setenta. Este movimento artístico abriu mão do formalismo e dos objetos para se concentrar em ideias e conceitos.
|
| rdfs:label |
개념 미술
, Conceptual art
, فن تصوري
, コンセプチュアル・アート
, Sztuka konceptualna
, Konceptuální umění
, Arte conceptual
, Arte kontzeptual
, Konceptkonst
, Conceptuele kunst
, Концептуальное искусство
, Koncepta arto
, Концептуальне мистецтво
, Art conceptual
, Arte concettuale
, 觀念藝術
, Art conceptuel
, Εννοιολογική τέχνη
, Konzeptkunst
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