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Wendingen (en néerlandais : Inversions) ét … Wendingen (en néerlandais : Inversions) était un magazine d'art qui vit le jour entre 1918 et 1932. Cette publication mensuelle était destinée aux architectes et aux décorateurs d'intérieur. La brochure fut publiée par l'éditeur amstellodamois Hooge Brug (1918-1923) et l'éditeur santportois C.A. Mees (1924-1931). Elle était l'organe de presse de l'association d'architectes . Wendigen fut aussi un puissant moteur de la diffusion des idées et du travail de l'École d'Amsterdam. Wendigen étant la revue d'une association d'architectes, on aurait pu s'attendre à ce que son contenu soit limité à l'architecture, cependant l'attention était aussi portée aux arts visuels et au design. Les images étaient mises en valeur par le format carré sortant de l'ordinaire et des typographies saisissantes de l'architecte .
* C.A. Lion Cachet (1921)
* Jan Duiker (1921)
* Bernard Essers (1924)
* Chris Lebeau (1929)
* Samuel Jessurun de Mesquita (1931)929)
* Samuel Jessurun de Mesquita (1931)
, Wendingen (lett. "svolte" o "cambiamenti") è stata una rivista di architettura e d'arte pubblicata tra il 1918 e il 1932, rivolta ad architetti e interior designer.
, Wendingen (Dutch: Inversion or Upheaval, l … Wendingen (Dutch: Inversion or Upheaval, literally turns) was an architecture and art magazine that appeared from 1918 to 1932. It was a monthly publication aimed at architects and interior designers. The booklet was published by Amsterdam publisher Hooge Brug (1918–1923) and by the Santpoort publisher C.A. Mees (1924–1931). It was a mouthpiece for the architect association Architectura et Amicitia. (Architecture and Friendship). The chief editor was the architect Hendricus Theodorus Wijdeveld. Wendingen initially was an important platform for Dutch expressionism, also known as the Amsterdam School, and later endorsed the New Objectivity. In spite of the link of Wendingen with an architect's association, the contents of the booklet were not limited to architecture but attention was also given to art and design. The magazine gained recognition not only through its content but also by its remarkable square format and the striking typography of architect Hendrik Wijdeveld, El Lissitzky, Vilmos Huszar and others. In Modern architecture of the 1920s are three notable movements: Cubist, Expressionist and Constructivist architecture. The magazine Wendingen (first issue January 1918) was influential on international Expressionist architecture. The other Dutch magazine De Stijl (first issue October 1917) was influential on the International Style.as influential on the International Style.
, Wendingen, maandblad voor bouwen en sieren … Wendingen, maandblad voor bouwen en sieren was een Nederlands architectuur- en kunsttijdschrift dat van 1918 tot 1933 werd uitgegeven, eerst door de Amsterdamse uitgeverij De Hooge Brug (Henri Wiessing) en vanaf 1924 door de uitgeverij C.A. Mees in Santpoort (Mea Verwey en Conno Mees).s in Santpoort (Mea Verwey en Conno Mees).
, Wendingen (niederländisch: Wendungen oder … Wendingen (niederländisch: Wendungen oder Drehungen) war eine Architektur- und Kunstzeitschrift, die von 1918 bis 1933 erschienen ist. Die Zeitschrift, die sich an Architekten und Innenarchitekten richtete, erhielt nicht nur aufgrund ihres Inhalts viel Anerkennung, sondern auch wegen der stilbildenden Gestaltung und der markanten Typographie. Gestaltung und der markanten Typographie.
, Wendingen (w skrócie "W") - miesięcznik o … Wendingen (w skrócie "W") - miesięcznik o architekturze i sztukach dekoracyjnych. Wydawany był w latach od 1918-1932 w Amsterdamie. Redaktorem naczelnym był Wijdeveld. Główną tematyką pisma była awangarda. "W" publikował teksty monograficzne poświęcone wybitnym artystom m.in. E. Grayowi czy F.L Wrightowi. Cechy charakterystyczne:
* szata graficzna - wpływy z Art Nouveau,
* geometryczna dokładność,
* kwadratowy format,
* broszurowane na wzór japoński (przy użyciu sznurka z rafii),
* nietypowe okładki. "W" miał wpływ na rozwój edytorstwa i typografii w Holandii.
* El Lissitzky (1921)
* C.A. Lion Cachet (1921)
* Bernard Essers (1924)
* Chris Lebeau (1929)
* Samuel Jessurun de Mesquita (1931)929)
* Samuel Jessurun de Mesquita (1931)
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Wendingen (niederländisch: Wendungen oder … Wendingen (niederländisch: Wendungen oder Drehungen) war eine Architektur- und Kunstzeitschrift, die von 1918 bis 1933 erschienen ist. Die Zeitschrift, die sich an Architekten und Innenarchitekten richtete, erhielt nicht nur aufgrund ihres Inhalts viel Anerkennung, sondern auch wegen der stilbildenden Gestaltung und der markanten Typographie. Gestaltung und der markanten Typographie.
, Wendingen (lett. "svolte" o "cambiamenti") è stata una rivista di architettura e d'arte pubblicata tra il 1918 e il 1932, rivolta ad architetti e interior designer.
, Wendingen, maandblad voor bouwen en sieren … Wendingen, maandblad voor bouwen en sieren was een Nederlands architectuur- en kunsttijdschrift dat van 1918 tot 1933 werd uitgegeven, eerst door de Amsterdamse uitgeverij De Hooge Brug (Henri Wiessing) en vanaf 1924 door de uitgeverij C.A. Mees in Santpoort (Mea Verwey en Conno Mees).s in Santpoort (Mea Verwey en Conno Mees).
, Wendingen (w skrócie "W") - miesięcznik o … Wendingen (w skrócie "W") - miesięcznik o architekturze i sztukach dekoracyjnych. Wydawany był w latach od 1918-1932 w Amsterdamie. Redaktorem naczelnym był Wijdeveld. Główną tematyką pisma była awangarda. "W" publikował teksty monograficzne poświęcone wybitnym artystom m.in. E. Grayowi czy F.L Wrightowi. Cechy charakterystyczne:
* szata graficzna - wpływy z Art Nouveau,
* geometryczna dokładność,
* kwadratowy format,
* broszurowane na wzór japoński (przy użyciu sznurka z rafii),
* nietypowe okładki. "W" miał wpływ na rozwój edytorstwa i typografii w Holandii.
* El Lissitzky (1921)
*
*
*
*landii.
* El Lissitzky (1921)
*
*
*
*
, Wendingen (Dutch: Inversion or Upheaval, l … Wendingen (Dutch: Inversion or Upheaval, literally turns) was an architecture and art magazine that appeared from 1918 to 1932. It was a monthly publication aimed at architects and interior designers. The booklet was published by Amsterdam publisher Hooge Brug (1918–1923) and by the Santpoort publisher C.A. Mees (1924–1931). It was a mouthpiece for the architect association Architectura et Amicitia. (Architecture and Friendship). The chief editor was the architect Hendricus Theodorus Wijdeveld. Wendingen initially was an important platform for Dutch expressionism, also known as the Amsterdam School, and later endorsed the New Objectivity.l, and later endorsed the New Objectivity.
, Wendingen (en néerlandais : Inversions) ét … Wendingen (en néerlandais : Inversions) était un magazine d'art qui vit le jour entre 1918 et 1932. Cette publication mensuelle était destinée aux architectes et aux décorateurs d'intérieur. La brochure fut publiée par l'éditeur amstellodamois Hooge Brug (1918-1923) et l'éditeur santportois C.A. Mees (1924-1931). Elle était l'organe de presse de l'association d'architectes . Wendigen fut aussi un puissant moteur de la diffusion des idées et du travail de l'École d'Amsterdam.
* C.A. Lion Cachet (1921)
* Jan Duiker (1921)
* Bernard Essers (1924)
* Chris Lebeau (1929)
*rd Essers (1924)
* Chris Lebeau (1929)
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Wendingen
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