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William Ezell (23 décembre 1892 - 2 août 1 … William Ezell (23 décembre 1892 - 2 août 1963), est un pianiste et auteur-compositeur américain de blues, de jazz, de ragtime et de boogie-woogie, et un chanteur occasionnel, également connu sous le nom de Will Ezell. Il contribue régulièrement aux enregistrements réalisés par Paramount Records à la fin des années 1920 et au début des années 1930. Le critique musical Bruce Eder présente Will Ezell comme « un pianiste techniquement brillant, montrant la forte influence du jazz ainsi que du blues dans son travail ». Ezell est l'un des plus importants pianistes du style barrelhouse d'avant-guerre. Sa réputation repose sur des enregistrements à la fois en tant que pianiste solo et en tant qu'accompagnateur maison pour des artistes de blues tels que Lucille Bogan, Elzadie Robinson ou Blind Roosevelt Graves. Ses enregistrements en solo sont d'une importance particulière, combinant en synergie le ragtime avec le boogie-woogie dans un style original puissant.ie-woogie dans un style original puissant.
, William "Will" Ezell (Brenham, 23 december … William "Will" Ezell (Brenham, 23 december 1892 - Chicago, 2 augustus 1963) was een Amerikaans boogiewoogie-, blues- en ragtime-pianist. Hij werd naast Cow Cow Davenport beschouwd als een van de beste boogiewoogie-spelers van zijn tijd. Hoewel hij niet veel opnames heeft gemaakt (zo'n zeventien in de periode 1927-1931), was Ezell een van de eersten die een boogiewoogieplaat opnam. Ezell was tevens enige tijd huispianist bij Paramount en begeleidde in die rol onder meer en, mogelijk, Bessie Smith. Ezell had overigens een affaire met zangeres . Na zijn laatste opnames in 1931 is niets meer van hem vernomen.es in 1931 is niets meer van hem vernomen.
, William Ezell (December 23, 1892 – August … William Ezell (December 23, 1892 – August 2, 1963), was an American blues, jazz, ragtime and boogie-woogie pianist and occasional singer, who was also billed as Will Ezell. He regularly contributed to recordings made by Paramount Records in the late 1920s and early 1930s. Ezell was noted by the music journalist Bruce Eder as "a technically brilliant pianist, showing the strong influence of jazz as well as blues in his work". Ezell's "Pitchin' Boogie" and Cow Cow Davenport's "Cow Cow Blues" were amongst the earliest boogie-woogie recordings. However, Pinetop Smith's "Pinetop's Boogie Woogie" was the first to use the phrase in the title of a song. Two of Ezell's more notable solo recordings, "Heifer Dust" and "Barrel House Woman" (both 1929), have been noted for containing "elements of both blues and barrelhouse boogie-woogie in their form". barrelhouse boogie-woogie in their form".
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William Ezell (23 décembre 1892 - 2 août 1 … William Ezell (23 décembre 1892 - 2 août 1963), est un pianiste et auteur-compositeur américain de blues, de jazz, de ragtime et de boogie-woogie, et un chanteur occasionnel, également connu sous le nom de Will Ezell. Il contribue régulièrement aux enregistrements réalisés par Paramount Records à la fin des années 1920 et au début des années 1930. Le critique musical Bruce Eder présente Will Ezell comme « un pianiste techniquement brillant, montrant la forte influence du jazz ainsi que du blues dans son travail ».azz ainsi que du blues dans son travail ».
, William "Will" Ezell (Brenham, 23 december … William "Will" Ezell (Brenham, 23 december 1892 - Chicago, 2 augustus 1963) was een Amerikaans boogiewoogie-, blues- en ragtime-pianist. Hij werd naast Cow Cow Davenport beschouwd als een van de beste boogiewoogie-spelers van zijn tijd. Hoewel hij niet veel opnames heeft gemaakt (zo'n zeventien in de periode 1927-1931), was Ezell een van de eersten die een boogiewoogieplaat opnam. Ezell was tevens enige tijd huispianist bij Paramount en begeleidde in die rol onder meer en, mogelijk, Bessie Smith. Ezell had overigens een affaire met zangeres . Na zijn laatste opnames in 1931 is niets meer van hem vernomen.es in 1931 is niets meer van hem vernomen.
, William Ezell (December 23, 1892 – August … William Ezell (December 23, 1892 – August 2, 1963), was an American blues, jazz, ragtime and boogie-woogie pianist and occasional singer, who was also billed as Will Ezell. He regularly contributed to recordings made by Paramount Records in the late 1920s and early 1930s. Ezell was noted by the music journalist Bruce Eder as "a technically brilliant pianist, showing the strong influence of jazz as well as blues in his work".nce of jazz as well as blues in his work".
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