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http://dbpedia.org/ontology/abstract Transnational Chinese Cinemas: Identity, NTransnational Chinese Cinemas: Identity, Nationhood, Gender is a non-fiction collection of essays edited by Sheldon Hsiao-peng Lu, published in 1997 by University of Hawaii Press. It discusses film from multiple territories, including Mainland China, Hong Kong, and Taiwan.ing Mainland China, Hong Kong, and Taiwan.
http://dbpedia.org/ontology/wikiPageExternalLink https://www.jstor.org/stable/j.ctt6wqxw6 + , https://archive.org/details/transnationalchi0000unse + , https://muse.jhu.edu/article/8590/pdf%7Ctitle=Transnational + , https://commons.ln.edu.hk/cgi/viewcontent.cgi%3Farticle=1057&context=jmlc%7Ctitle=Sheldon + , https://www.journals.uchicago.edu/doi/10.2307/2667571%7Ctitle=Transnational + , https://commons.ln.edu.hk/jmlc/vol3/iss1/9/ +
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rdfs:comment Transnational Chinese Cinemas: Identity, NTransnational Chinese Cinemas: Identity, Nationhood, Gender is a non-fiction collection of essays edited by Sheldon Hsiao-peng Lu, published in 1997 by University of Hawaii Press. It discusses film from multiple territories, including Mainland China, Hong Kong, and Taiwan.ing Mainland China, Hong Kong, and Taiwan.
rdfs:label Transnational Chinese Cinemas
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