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http://dbpedia.org/ontology/abstract Thok (ठोक), in Indian classical music, is Thok (ठोक), in Indian classical music, is a post-jhala phase of elaboration and is replete with accents. The plectrum, etc., is actually struck on adjacent wooden or metal portion of the instrument to introduce the ‘thok’ (strike) effect. After jhala alap reaches the drut+drut phase because of the ‘thok’, stresses become important. In vocal music, more stressed, meaningless syllables such as ‘dretum’, etc., actualize the phase in a raga in Hindustani classical music.e in a raga in Hindustani classical music.
http://dbpedia.org/ontology/wikiPageID 54632543
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http://dbpedia.org/ontology/wikiPageRevisionID 1042843267
http://dbpedia.org/ontology/wikiPageWikiLink http://dbpedia.org/resource/Raga + , http://dbpedia.org/resource/Hindustani_classical_music + , http://dbpedia.org/resource/Khyal + , http://dbpedia.org/resource/Wikt:%E0%A4%A0%E0%A5%8B%E0%A4%95 + , http://dbpedia.org/resource/Madhyalaya + , http://dbpedia.org/resource/Jhala + , http://dbpedia.org/resource/Vilambit + , http://dbpedia.org/resource/Category:Hindustani_music_terminology +
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rdfs:comment Thok (ठोक), in Indian classical music, is Thok (ठोक), in Indian classical music, is a post-jhala phase of elaboration and is replete with accents. The plectrum, etc., is actually struck on adjacent wooden or metal portion of the instrument to introduce the ‘thok’ (strike) effect. After jhala alap reaches the drut+drut phase because of the ‘thok’, stresses become important. In vocal music, more stressed, meaningless syllables such as ‘dretum’, etc., actualize the phase in a raga in Hindustani classical music.e in a raga in Hindustani classical music.
rdfs:label Thok
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