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The Rag Man est un film américain réalisé par Edward F. Cline et sorti en 1925. C'est le premier film avec Jackie Coogan produit par la Metro-Goldwyn-Mayer.
, The Rag Man è un film muto del 1925 dirett … The Rag Man è un film muto del 1925 diretto da Edward F. Cline, sotto la supervisione del padre di Jackie Coogan. Fu il primo film girato dal giovanissimo attore per la MGM. Oltre che come veicolo per la giovane star, Jackie Coogan, di cui voleva perpetuare il successo colto con Il monello di Charlie Chaplin (1921), il film si colloca nel filone comico allora molto popolare dei rapporti tra ebrei e irlandesi sull'onda del successo a Broadway di commedie come di Aaron Hoffman (1921) e di (1922). Non a caso il piccolo orfano è un "Kelly" (tipico cognome irlandese) e il robivecchi è un "Ginsberg" (altrettanto tipico cognome ebraico). A unire le due comunità di poveri immigranti erano la condivisione degli stessi spazi urbani a New York ma anche la stessa voglia di emergere e lo stesso spirito imprenditoriale, che le portava spesso ad unire le forze per comuni interessi di lavoro e di affari, come nel film avviene immediatamente con la creazione dell'impresa "Ginsberg & Kelly".zione dell'impresa "Ginsberg & Kelly".
, The Rag Man is a 1925 American comedy-drama film starring Jackie Coogan. The film was directed by Edward F. Cline, and written by Willard Mack. This was the first Jackie Coogan movie made entirely under the MGM banner.
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The Rag Man est un film américain réalisé par Edward F. Cline et sorti en 1925. C'est le premier film avec Jackie Coogan produit par la Metro-Goldwyn-Mayer.
, The Rag Man is a 1925 American comedy-drama film starring Jackie Coogan. The film was directed by Edward F. Cline, and written by Willard Mack. This was the first Jackie Coogan movie made entirely under the MGM banner.
, The Rag Man è un film muto del 1925 dirett … The Rag Man è un film muto del 1925 diretto da Edward F. Cline, sotto la supervisione del padre di Jackie Coogan. Fu il primo film girato dal giovanissimo attore per la MGM. Oltre che come veicolo per la giovane star, Jackie Coogan, di cui voleva perpetuare il successo colto con Il monello di Charlie Chaplin (1921), il film si colloca nel filone comico allora molto popolare dei rapporti tra ebrei e irlandesi sull'onda del successo a Broadway di commedie come di Aaron Hoffman (1921) e di (1922). Non a caso il piccolo orfano è un "Kelly" (tipico cognome irlandese) e il robivecchi è un "Ginsberg" (altrettanto tipico cognome ebraico). A unire le due comunità di poveri immigranti erano la condivisione degli stessi spazi urbani a New York ma anche la stessa voglia di emergere e lo stesso spirstessa voglia di emergere e lo stesso spir
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