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El clasicismo despojado (también llamado e … El clasicismo despojado (también llamado en ocasiones clasicismo hambriento o griego moderno) es un estilo arquitectónico clasicista del siglo xx despojado de la mayor parte o de toda la ornamentación, usado frecuentemente por los gobiernos para el diseño de edificios oficiales. Fue adoptado tanto por regímenes totalitarios como democráticos. Este estilo se caracteriza por un clasicismo «simplificado pero reconocible» en su volumen y escala global, a la vez que elimina los detalles decorativos tradicionales. Los órdenes clásicos solo son insinuados o están implicados indirectamente en la forma y en la estructura. Pese a su similitud etimológica, el clasicismo despojado se distingue a veces del «clasicismo hambriento», ya que este último «muestra poca sensibilidad por las reglas, las proporciones, los detalles y la delicadeza, y carece de brío y vivacidad». En otras ocasiones, sin embargo, los términos «despojado» y «hambriento» se usan indistintamente. y «hambriento» se usan indistintamente.
, 简约古典主义 (也称“剥离古典主义”)（Stripped Classicism）是一 … 简约古典主义 (也称“剥离古典主义”)（Stripped Classicism）是一种20世纪的古典主义建筑风格。这种建筑除去了绝大部分的装饰，常常被政府用来设计官方公共建筑。这种风格在整体体量和规模上采用了一种“简化但可清晰识别的”古典主义风格，同时摒弃了传统的装饰细节。建筑的柱式只是在形式和结构上有所暗示或间接涉及。 简约古典主义被认为是政治现代化的一种唯物主义表现。在近期的历史研究中，明确地将这种建筑风格与现代主义思维的关系与1920—1930年代兴起的各种政治潮流联系在一起。这种潮流利用艺术来表达内在形式——一种面向未来的强大政治朝气。 另有观点认为，简约古典主义深受先锋派（Avant-garde）的影响，像意大利的未来主义者一样，赞美着现代世界的无数可能性。简约古典主义由法国人（Paul Philippe Cret）和其他人推广，并在纳粹德国、法西斯意大利、苏联和美国等国家中得到应用。e Cret）和其他人推广，并在纳粹德国、法西斯意大利、苏联和美国等国家中得到应用。
, Classicismo despojado ou Grego moderno é u … Classicismo despojado ou Grego moderno é um estilo arquitetônico que teve seu apogeu no século XX, despojado da maior parte ou de toda a ornamentação, frequentemente usada por governos na concepção de edifícios oficiais. Ele foi adaptado por estados tanto totalitários quanto democráticos. O estilo abrange um classicismo "simplificado, mas reconhecível" em termos de massa e de escala, eliminando o tradicional detalhamento decorativo. As ordens da arquitetura são apenas insinuadas, ou indiretamente implicadas, na forma e estrutura. O estilo mais tarde encontrou adeptos nos regimes fascistas da Alemanha e da Itália, bem como na União Soviética durante o regime de Stalin. O Zeppelinfeld, de Speer, e outras partes das áreas de desfile do partido nazista de Nuremberg são, talvez, os exemplos mais famosos na Alemanha, usando elementos clássicos, tais como colunas e altares, juntamente com a tecnologia moderna, tais como holofotes. A Casa del Fascio em Como também faz parte do movimento. Na URSS, algumas das propostas para o não-construído Palácio dos Soviéticos também tinham características do estilo. Entre arquitetos americanos, o trabalho de Paul Philippe Cret exemplifica o estilo. Seu Château-Thierry-Monumento Americano, construído em 1928, é identificado como um dos primeiros exemplos. Entre outras de suas obras identificadas são o exterior, Biblioteca Folger Shakespeare, em Washington, D.C., de 1933, a Torre Principal da Universidade do Texas em Austin de 1937, o Edifício da Reserva Federalo em Washington, D.C.. de 1937, e o Hospital Naval de Bethesda, e 1939. Às vezes é evidente em edifícios que foram construídos pela Administração de Projectos de Obras durante a Grande Depressão, embora com uma mistura de arquitetura Art Déco ou com seus elementos. O movimento foi generalizado, e transcende as fronteiras nacionais. Arquitetos que pelo menos nomeadamente experimentaram com o Classicismo Despojado incluem John James Burnett, Giorgio Grassi, Léon Krier, Aldo Rossi, Albert Speer, Robert A. M. Stern e Paulo Troost. Apesar de sua popularidade nos regimes totalitários, o estilo também foi adaptada por muitos governos democráticos, inclusive durante o New Deal nos Estados Unidos. Em qualquer caso, supostos fundamentos "fascistas" dificultaran a aceitação do estilo no pensamento arquitetônico. Não há nenhuma evidência de que os arquitetos que favoreceram esse estilo tinham uma disposição política à direita . No entanto, tanto Adolf Hitler como Benito Mussolini eram fãs. Por outro lado, o Classicismo Despojado foi favorecido por Joseph Stalin e diversos regimes comunistas. Após a queda do Terceiro Reich e o fim da II Guerra Mundial, o estilo saiu de moda. No entanto, foi um pouco revisitado em projetos na década de 1960. O Lincoln Center for the Performing Arts de Nova York, de Philip Johnson, evidenciou "um reavivamento no estilo Clássico Despojado". Da mesma forma, há a Biblioteca Nacional da Austrália (1968) em Camberra. Nacional da Austrália (1968) em Camberra.
, الكلاسيكية المجردة (أو «الكلاسيكية التوّاق … الكلاسيكية المجردة (أو «الكلاسيكية التوّاقة» أو «الإغريقية الحديثة») هي في الأساس أسلوب معماري كلاسيكي يعود إلى القرن العشرين، جُرّد من معظم أو كل الزخارف، وكثيرًا ما تستخدمه الحكومات في تصميم المباني الرسمية. كُيف من قبل الأنظمة الشمولية والديمقراطية على حد سواء. يحتضن الأسلوب كلاسيكية «مبسطة ولكن مقروءة» في كتلها ومقياسها الكلي مع إقصاء التفاصيل الزخرفية التقليدية. توظف أنظمة العمارة الكلاسيكية فقط في التكوين والهيكل. الكلاسيكية المجردة تتميز في بعض الأحيان عن «الكلاسيكية التواقة» على الرغم من تشابههما، إذ تُظهر الأخيرة «حسًا ضعيفًا بالقواعد، والنسب، والتفاصيل، والبراعة، وتفتقر إلى الحيوية والزخم». أحيانًا يستخدم المصطلحين «تجريد» و «تواق» تبادليًا. كانت الكلاسيكية المجردة مظهرًا ماديًا للحداثية «السياسية». ربط التأريخ الحديث بشكل واضح هذا الأسلوب المعماري -وعلاقته بالتفكير الحداثي- بالمشاريع السياسية التي نشأت في عشرينيات وثلاثينيات القرن العشرين والتي استخدمت البراعة الفنية للتعبير -في التكوين المبني- عن روح سياسية قوية موجّهة نحو المستقبل.ي- عن روح سياسية قوية موجّهة نحو المستقبل.
, Stripped Classicism (or "Starved Classicis … Stripped Classicism (or "Starved Classicism" or "Grecian Moderne") is primarily a 20th-century classicist architectural style stripped of most or all ornamentation, frequently employed by governments while designing official buildings. It was adapted by both totalitarian and democratic regimes. The style embraces a "simplified but recognizable" classicism in its overall massing and scale while eliminating traditional decorative detailing. The orders of architecture are only hinted at or are indirectly implicated in the form and structure. Despite its etymological similarity, Stripped Classicism is sometimes distinguished from "Starved Classicism", the latter "displaying little feeling for rules, proportions, details, and finesse, and lacking all verve and élan". At other times the terms "stripped" and "starved" are used interchangeably. Stripped Classicism was a materialistic manifestation of 'political' modernism. Recent historiography has explicitly linked this architectural style – and its relationship with modernist thinking – to political projects arising in the 1920–1930s, which utilised artistic dexterity to articulate – in built form – a powerful political ethos orientated towards the future. Other writers have noted the need to read the impact of avant-garde movements such as the Italian Futurists, who extolled the innumerable possibilities of the modern world, on this unique style (and the futurism it espoused). It was popularised by the French-born Paul Philippe Cret, among others, and employed in Nazi Germany, Fascist Italy, the Soviet Union and New Deal America.ly, the Soviet Union and New Deal America.
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الكلاسيكية المجردة (أو «الكلاسيكية التوّاق … الكلاسيكية المجردة (أو «الكلاسيكية التوّاقة» أو «الإغريقية الحديثة») هي في الأساس أسلوب معماري كلاسيكي يعود إلى القرن العشرين، جُرّد من معظم أو كل الزخارف، وكثيرًا ما تستخدمه الحكومات في تصميم المباني الرسمية. كُيف من قبل الأنظمة الشمولية والديمقراطية على حد سواء. يحتضن الأسلوب كلاسيكية «مبسطة ولكن مقروءة» في كتلها ومقياسها الكلي مع إقصاء التفاصيل الزخرفية التقليدية. توظف أنظمة العمارة الكلاسيكية فقط في التكوين والهيكل.العمارة الكلاسيكية فقط في التكوين والهيكل.
, El clasicismo despojado (también llamado e … El clasicismo despojado (también llamado en ocasiones clasicismo hambriento o griego moderno) es un estilo arquitectónico clasicista del siglo xx despojado de la mayor parte o de toda la ornamentación, usado frecuentemente por los gobiernos para el diseño de edificios oficiales. Fue adoptado tanto por regímenes totalitarios como democráticos. Este estilo se caracteriza por un clasicismo «simplificado pero reconocible» en su volumen y escala global, a la vez que elimina los detalles decorativos tradicionales. Los órdenes clásicos solo son insinuados o están implicados indirectamente en la forma y en la estructura.ectamente en la forma y en la estructura.
, Classicismo despojado ou Grego moderno é u … Classicismo despojado ou Grego moderno é um estilo arquitetônico que teve seu apogeu no século XX, despojado da maior parte ou de toda a ornamentação, frequentemente usada por governos na concepção de edifícios oficiais. Ele foi adaptado por estados tanto totalitários quanto democráticos. Às vezes é evidente em edifícios que foram construídos pela Administração de Projectos de Obras durante a Grande Depressão, embora com uma mistura de arquitetura Art Déco ou com seus elementos.rquitetura Art Déco ou com seus elementos.
, Stripped Classicism (or "Starved Classicis … Stripped Classicism (or "Starved Classicism" or "Grecian Moderne") is primarily a 20th-century classicist architectural style stripped of most or all ornamentation, frequently employed by governments while designing official buildings. It was adapted by both totalitarian and democratic regimes. The style embraces a "simplified but recognizable" classicism in its overall massing and scale while eliminating traditional decorative detailing. The orders of architecture are only hinted at or are indirectly implicated in the form and structure.ctly implicated in the form and structure.
, 简约古典主义 (也称“剥离古典主义”)（Stripped Classicism）是一 … 简约古典主义 (也称“剥离古典主义”)（Stripped Classicism）是一种20世纪的古典主义建筑风格。这种建筑除去了绝大部分的装饰，常常被政府用来设计官方公共建筑。这种风格在整体体量和规模上采用了一种“简化但可清晰识别的”古典主义风格，同时摒弃了传统的装饰细节。建筑的柱式只是在形式和结构上有所暗示或间接涉及。 简约古典主义被认为是政治现代化的一种唯物主义表现。在近期的历史研究中，明确地将这种建筑风格与现代主义思维的关系与1920—1930年代兴起的各种政治潮流联系在一起。这种潮流利用艺术来表达内在形式——一种面向未来的强大政治朝气。 另有观点认为，简约古典主义深受先锋派（Avant-garde）的影响，像意大利的未来主义者一样，赞美着现代世界的无数可能性。简约古典主义由法国人（Paul Philippe Cret）和其他人推广，并在纳粹德国、法西斯意大利、苏联和美国等国家中得到应用。e Cret）和其他人推广，并在纳粹德国、法西斯意大利、苏联和美国等国家中得到应用。
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Stripped Classicism
, كلاسيكية مجردة
, Classicismo despojado
, 简约古典主义
, Clasicismo despojado
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