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| http://dbpedia.org/ontology/abstract | Sjutakt är när man inom musiken räknar til … Sjutakt är när man inom musiken räknar till sju i varje takt. Taktarten förekommer främst i österländsk folkmusik och i experimentell/progressiv rock. Sjutakt är en så kallad "udda" taktart, och underdelningen varierar. Den vanligaste rytmiseringen är 3+2+2 (eller 3+4), men 2+2+3 (eller 4+3) förekommer också. I vissa fall används 2+3+2, men det är mindre vanligt. används 2+3+2, men det är mindre vanligt. , El metro séptuple, metro septenario o tiem … El metro séptuple, metro septenario o tiempo séptuple es un metro musical caracterizado por siete golpes de tiempo o siete notas de igual duración en una medida. Marcas de compás para el metro simple son 7/4 o 7/8, y en el metro compuesto, 21/8. Los patrones de acentuación más comunes son 2 + 2 + 3, 3 + 2 + 2 u ocasionalmente 2 + 3 + 2.+ 3, 3 + 2 + 2 u ocasionalmente 2 + 3 + 2. , Septuple meter (British: metre) or (chiefl … Septuple meter (British: metre) or (chiefly British) septuple time is a meter with each bar (American: measure) divided into 7 notes of equal duration, usually 74 or 78 (or in compound meter, 218 time). The stress pattern can be 2+2+3, 3+2+2, or occasionally 2+3+2, although a survey of certain forms of mostly American popular music suggests that 2+2+3 is the most common among these three in these styles. A time signature of 218, however, does not necessarily mean that the bar is a compound septuple meter with seven beats, each divided into three. This signature may, for example, be used to indicate a bar of triple meter in which each beat is subdivided into seven parts. In this case, the meter is sometimes characterized as "triple septuple time". It is also possible for a 218 time signature to be used for an irregular, or "additive" metrical pattern, such as groupings of 3 + 3 + 3 + 2 + 3 + 2 + 3 + 2 eighth notes. Septuple meter can also be notated by using regularly alternating bars of triple and duple or quadruple meters, for example 44 + 34, or 68 + 68 + 98, or through the use of compound meters, in which two or three numerals take the place of the expected numerator 7, for example, 2+2+38, or 5+28.numerator 7, for example, 2+2+38, or 5+28. , La mesure à sept temps est une combinaison … La mesure à sept temps est une combinaison entre deux mesures binaires et une mesure ternaire. Elle comprend donc généralement trois « » et quatre « ». Moins représentée que la mesure à cinq temps dans la musique folklorique en Europe, en Asie et au Moyen-Orient, pratiquement ignorée dans la musique savante du Moyen Âge, la musique baroque et la musique classique du XVIIIe siècle, cette mesure est redécouverte au XIXe siècle par les compositeurs européens, notamment grâce à Hector Berlioz qui en expose les principes en 1855 dans le chef d'orchestre, théorie de son art, publié en appendice de son Traité d'instrumentation et d'orchestration pour l'orchestre symphonique. Sept étant un nombre premier, la mesure à sept temps est considérée comme une mesure composée asymétrique, ce qui la rend propre à l'expression de la mélodie comme de la danse. Dans ce dernier cas, il s'agit également de l'un des rythmes bulgares, fréquents dans la musique de Bartók. Les mesures à sept noires ou, plus rarement, à sept croches sont parfois utilisées dans les musiques jazz, pop et rock.isées dans les musiques jazz, pop et rock. |
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| http://dbpedia.org/property/date | October 2019 , August 2012 , August 2013 |
| http://dbpedia.org/property/reason | By the format offered, this is an article in a newspaper or journal, the name of which is needed; if it is misformatted and is a book, the title should be in italics, in which case the place of publication is needed. , Place of publication and editor needed. , Although the song is named, there is no mention of its meter, and the link is a commercial sales link. |
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| rdfs:comment | La mesure à sept temps est une combinaison … La mesure à sept temps est une combinaison entre deux mesures binaires et une mesure ternaire. Elle comprend donc généralement trois « » et quatre « ». Moins représentée que la mesure à cinq temps dans la musique folklorique en Europe, en Asie et au Moyen-Orient, pratiquement ignorée dans la musique savante du Moyen Âge, la musique baroque et la musique classique du XVIIIe siècle, cette mesure est redécouverte au XIXe siècle par les compositeurs européens, notamment grâce à Hector Berlioz qui en expose les principes en 1855 dans le chef d'orchestre, théorie de son art, publié en appendice de son Traité d'instrumentation et d'orchestration pour l'orchestre symphonique.rchestration pour l'orchestre symphonique. , Sjutakt är när man inom musiken räknar til … Sjutakt är när man inom musiken räknar till sju i varje takt. Taktarten förekommer främst i österländsk folkmusik och i experimentell/progressiv rock. Sjutakt är en så kallad "udda" taktart, och underdelningen varierar. Den vanligaste rytmiseringen är 3+2+2 (eller 3+4), men 2+2+3 (eller 4+3) förekommer också. I vissa fall används 2+3+2, men det är mindre vanligt. används 2+3+2, men det är mindre vanligt. , Septuple meter (British: metre) or (chiefl … Septuple meter (British: metre) or (chiefly British) septuple time is a meter with each bar (American: measure) divided into 7 notes of equal duration, usually 74 or 78 (or in compound meter, 218 time). The stress pattern can be 2+2+3, 3+2+2, or occasionally 2+3+2, although a survey of certain forms of mostly American popular music suggests that 2+2+3 is the most common among these three in these styles. common among these three in these styles. , El metro séptuple, metro septenario o tiem … El metro séptuple, metro septenario o tiempo séptuple es un metro musical caracterizado por siete golpes de tiempo o siete notas de igual duración en una medida. Marcas de compás para el metro simple son 7/4 o 7/8, y en el metro compuesto, 21/8. Los patrones de acentuación más comunes son 2 + 2 + 3, 3 + 2 + 2 u ocasionalmente 2 + 3 + 2.+ 3, 3 + 2 + 2 u ocasionalmente 2 + 3 + 2. |
| rdfs:label | Sjutakt , Septuple meter , Mesure à sept temps , Metro séptuple |
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