http://dbpedia.org/ontology/abstract
|
A septimal 1/3-tone (in music) is an inter … A septimal 1/3-tone (in music) is an interval with the ratio of 28:27, which is the difference between the perfect fourth and the supermajor third. It is about 62.96 cents wide. The septimal 1/3-tone can be viewed either as a musical interval in its own right, or as a comma; if it is tempered out in a given tuning system, the distinction between these two intervals is lost. The septimal 1/3-tone may be derived from the harmonic series as the interval between the twenty-seventh and twenty-eighth harmonics. It may be considered a diesis. The septimal 1/3-tone, along with the septimal diesis is tempered out by five-tone equal temperament, and equal temperaments which divide the octave into a small multiple of 5 steps, such as 15-TET and . This family of scales is known as in honor of Easley Blackwood, Jr., who first analyzed 10-note subsets of 15-TET that take advantage of the temperament. When added to the 15:14 semitone, the 21:20 semitone and 28:27 semitone produce the 9:8 tone (major tone) and 10:9 tone (minor tone), respectively. It is the difference between 7/6 and 9/8 (tritē and paramesē). between 7/6 and 9/8 (tritē and paramesē).
|
http://dbpedia.org/ontology/thumbnail
|
http://commons.wikimedia.org/wiki/Special:FilePath/Septimal_third-tone_on_C.png?width=300 +
|
http://dbpedia.org/ontology/wikiPageID
|
26405828
|
http://dbpedia.org/ontology/wikiPageLength
|
3001
|
http://dbpedia.org/ontology/wikiPageRevisionID
|
865888716
|
http://dbpedia.org/ontology/wikiPageWikiLink
|
http://dbpedia.org/resource/Category:Commas_%28music%29 +
, http://dbpedia.org/resource/Harmonic_series_%28music%29 +
, http://dbpedia.org/resource/19-TET +
, http://dbpedia.org/resource/Category:7-limit_tuning_and_intervals +
, http://dbpedia.org/resource/Whole_tone +
, http://dbpedia.org/resource/Music +
, http://dbpedia.org/resource/31-TET +
, http://dbpedia.org/resource/Category:Superparticular_intervals +
, http://dbpedia.org/resource/Just_intonation +
, http://dbpedia.org/resource/Major_second +
, http://dbpedia.org/resource/Cent_%28music%29 +
, http://dbpedia.org/resource/Easley_Blackwood%2C_Jr. +
, http://dbpedia.org/resource/7-limit +
, http://dbpedia.org/resource/Diesis +
, http://dbpedia.org/resource/Inversion_%28interval%29 +
, http://dbpedia.org/resource/Comma_%28music%29 +
, http://dbpedia.org/resource/22_equal_temperament +
, http://dbpedia.org/resource/15_equal_temperament +
, http://dbpedia.org/resource/Tritone +
, http://dbpedia.org/resource/5-TET +
, http://dbpedia.org/resource/Interval_%28music%29 +
, http://dbpedia.org/resource/15-TET +
, http://dbpedia.org/resource/Blackwood_temperament +
, http://dbpedia.org/resource/12-TET +
, http://dbpedia.org/resource/File:Septimal_third-tone_on_C.png +
, http://dbpedia.org/resource/25-TET +
, http://dbpedia.org/resource/Septimal_chromatic_semitone +
, http://dbpedia.org/resource/Septimal_diatonic_semitone +
, http://dbpedia.org/resource/Septimal_diesis +
, http://dbpedia.org/resource/Septimal_meantone_temperament +
, http://dbpedia.org/resource/Supermajor_third +
, http://dbpedia.org/resource/Perfect_fourth +
|
http://dbpedia.org/property/wikiPageUsesTemplate
|
http://dbpedia.org/resource/Template:Audio +
, http://dbpedia.org/resource/Template:Intervals +
, http://dbpedia.org/resource/Template:Reflist +
|
http://purl.org/dc/terms/subject
|
http://dbpedia.org/resource/Category:Commas_%28music%29 +
, http://dbpedia.org/resource/Category:7-limit_tuning_and_intervals +
, http://dbpedia.org/resource/Category:Superparticular_intervals +
|
http://purl.org/linguistics/gold/hypernym
|
http://dbpedia.org/resource/Interval +
|
http://www.w3.org/ns/prov#wasDerivedFrom
|
http://en.wikipedia.org/wiki/Septimal_third_tone?oldid=865888716&ns=0 +
|
http://xmlns.com/foaf/0.1/depiction
|
http://commons.wikimedia.org/wiki/Special:FilePath/Septimal_third-tone_on_C.png +
|
http://xmlns.com/foaf/0.1/isPrimaryTopicOf
|
http://en.wikipedia.org/wiki/Septimal_third_tone +
|
owl:sameAs |
http://yago-knowledge.org/resource/Septimal_third_tone +
, http://dbpedia.org/resource/Septimal_third_tone +
, http://rdf.freebase.com/ns/m.0bbwgv6 +
, https://global.dbpedia.org/id/4uMYX +
, http://www.wikidata.org/entity/Q7452287 +
|
rdf:type |
http://dbpedia.org/class/yago/Communication100033020 +
, http://dbpedia.org/class/yago/Comma106842852 +
, http://dbpedia.org/class/yago/WikicatCommas +
, http://dbpedia.org/class/yago/Symbol106806469 +
, http://dbpedia.org/class/yago/Mark106817782 +
, http://dbpedia.org/class/yago/Abstraction100002137 +
, http://dbpedia.org/class/yago/Punctuation106841365 +
, http://dbpedia.org/class/yago/Measure100033615 +
, http://dbpedia.org/class/yago/WrittenSymbol106817623 +
, http://dbpedia.org/class/yago/TimeInterval115269513 +
, http://dbpedia.org/class/yago/Signal106791372 +
, http://dbpedia.org/class/yago/WikicatSuperparticularIntervals +
|
rdfs:comment |
A septimal 1/3-tone (in music) is an inter … A septimal 1/3-tone (in music) is an interval with the ratio of 28:27, which is the difference between the perfect fourth and the supermajor third. It is about 62.96 cents wide. The septimal 1/3-tone can be viewed either as a musical interval in its own right, or as a comma; if it is tempered out in a given tuning system, the distinction between these two intervals is lost. The septimal 1/3-tone may be derived from the harmonic series as the interval between the twenty-seventh and twenty-eighth harmonics. It may be considered a diesis. harmonics. It may be considered a diesis.
|
rdfs:label |
Septimal third tone
|