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Robert Paul Commanday (18 June 1922 – 3 Se … Robert Paul Commanday (18 June 1922 – 3 September 2015) was an American music critic who specialized in classical music. Among the leading critics of the West Coast, Commanday was a major presence in the Bay Area music scene over a five-decade career. From 1964 to 1994 he was the chief classical music critic of the San Francisco Chronicle, following which he became the founding editor of San Francisco Classical Voice in 1998. As a critic he held high standards, though his writing was interspersed with humorous comments. His focus concerned American music in general, but particularly ensembles, performers and events in San Francisco. Also a music educator and choral conductor, Commanday held brief teaching posts at Ithaca College and the University of Illinois, before a decade of teaching music and conducting choirs at the University of California, Berkeley.at the University of California, Berkeley.
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"I don’t regret or withdraw a single carpi … "I don’t regret or withdraw a single carping article or castigating review. The standards I had held to were not set by me but by the works and the art form first and then by the artists and performing institution themselves. They also are measured by what we have come to expect of them and what they claim and aim to be."
"In that sense, evaluating is an act of respect. A symphony, opera or ballet company can’t aspire to be "world class" and profess it in the publicity and then feel it should not be judged on those terms."l it should not be judged on those terms."
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Robert Paul Commanday (18 June 1922 – 3 Se … Robert Paul Commanday (18 June 1922 – 3 September 2015) was an American music critic who specialized in classical music. Among the leading critics of the West Coast, Commanday was a major presence in the Bay Area music scene over a five-decade career. From 1964 to 1994 he was the chief classical music critic of the San Francisco Chronicle, following which he became the founding editor of San Francisco Classical Voice in 1998. As a critic he held high standards, though his writing was interspersed with humorous comments. His focus concerned American music in general, but particularly ensembles, performers and events in San Francisco. Also a music educator and choral conductor, Commanday held brief teaching posts at Ithaca College and the University of Illinois, before a decade of teaching mof Illinois, before a decade of teaching m
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