http://dbpedia.org/ontology/abstract
|
Raphael and La Fornarina was painted in 18 … Raphael and La Fornarina was painted in 1813, in Italy, by Jean-Auguste-Dominique Ingres. It is the first of five versions of the painting, which he completed between 1813 and his death in 1867. In 1814 his first version was exhibited at the Salon. The work shows the renowned painter, Raphael, sitting in his studio with his mistress, La Fornarina (the baker), on his knee. His embrace reflects his affection and desire for her, while his gaze towards his own artwork, his portrait of his mistress, indicates his love for art. This contrast represents the painter's major conflict between who he loves and what he loves. The mistress makes eye contact with the viewer and her posture, specifically her arms resting on his shoulders, shows how proud and satisfied she is with being his mistress and inspiration. The Fornarina's sensual gaze at the viewer claims her importance and place both within the artist's studio and profession. Although Ingres thoroughly researched the Renaissance artist's life through biographies by Giorgio Vasari and Angelo Comolli, and planned to create a series of paintings based on his life, in the end he only produced two scenes: Raphael and La Fornarina (and its succeeding versions) and the Betrothal of Raphael. The depiction of the Fornarina resembles not only the Virgin Mary in the painting in the background of the Madonna della seggiola, but also Ingres's depiction of the promiscuous Grande Odalisque. The parallel highlights a connection between Raphael and Ingres as they both paint what they desire.ngres as they both paint what they desire.
, Raffaello e la Fornarina (Raphaël et la Fo … Raffaello e la Fornarina (Raphaël et la Fornarina) è un dipinto di Jean-Auguste-Dominique Ingres. Rappresenta Raffaello Sanzio, il massimo artista ispiratore di Ingres, nel proprio studio con Margherita Luti, la più famosa delle sue modelle, soprannominata "La Fornarina" e da lui immortalata in un celebre ritratto, che si intravede - appena completato - all'estrema destra della composizione. In secondo piano, collocata su un mobile appoggiato alla parete di fondo, si trova invece un'altra opera del maestro italiano, la Madonna della Seggiola. Il dipinto è conservato al Fogg Art Museum di Cambridge nel Massachusetts. Ingres eseguì anche quattro varianti dell'opera, o più probabilmente suoi modelli preparatori: una si trova al Columbus Museum of Art, altre due in collezioni private, mentre la quarta, custodita per molto tempo a Riga, è andata dispersa durante la seconda guerra mondiale.spersa durante la seconda guerra mondiale.
|
http://dbpedia.org/ontology/author
|
http://dbpedia.org/resource/Jean-Auguste-Dominique_Ingres +
|
http://dbpedia.org/ontology/museum
|
http://dbpedia.org/resource/Fogg_Museum +
|
http://dbpedia.org/ontology/thumbnail
|
http://commons.wikimedia.org/wiki/Special:FilePath/Jean_auguste_dominique_ingres_raphael_and_the_fornarina.jpg?width=300 +
|
http://dbpedia.org/ontology/wikiPageID
|
45321821
|
http://dbpedia.org/ontology/wikiPageLength
|
16291
|
http://dbpedia.org/ontology/wikiPageRevisionID
|
1076209768
|
http://dbpedia.org/ontology/wikiPageWikiLink
|
http://dbpedia.org/resource/Jean-Auguste-Dominique_Ingres +
, http://dbpedia.org/resource/Category:Paintings_by_Jean-Auguste-Dominique_Ingres +
, http://dbpedia.org/resource/Fogg_Museum +
, http://dbpedia.org/resource/Category:Cultural_depictions_of_Raphael +
, http://dbpedia.org/resource/File:Raffaello_Sanzio.jpg +
, http://dbpedia.org/resource/Renaissance +
, http://dbpedia.org/resource/Category:1814_paintings +
, http://dbpedia.org/resource/Category:Paintings_about_painting +
, http://dbpedia.org/resource/Raphael +
, http://dbpedia.org/resource/Category:1813_paintings +
, http://dbpedia.org/resource/Salon_%28Paris%29 +
, http://dbpedia.org/resource/Rosalind_E._Krauss +
, http://dbpedia.org/resource/La_Fornarina +
, http://dbpedia.org/resource/Bourgeoisie +
, http://dbpedia.org/resource/Oil_on_canvas +
, http://dbpedia.org/resource/File:Ingres_look2.jpg +
, http://dbpedia.org/resource/File:La_Fornarina_by_Raffaello_%28cropped%29.jpg +
, http://dbpedia.org/resource/Category:Paintings_in_the_collection_of_the_Columbus_Museum_of_Art +
, http://dbpedia.org/resource/Madonna_della_seggiola +
, http://dbpedia.org/resource/File:France-003335_-_Grande_Odalisque_%2816051027150%29.jpg +
, http://dbpedia.org/resource/File:Raffaello%2C_madonna_della_seggiola_01.jpg +
, http://dbpedia.org/resource/Giorgio_Vasari +
, http://dbpedia.org/resource/Troubadour_style +
, http://dbpedia.org/resource/Uffizi +
, http://dbpedia.org/resource/Category:Paintings_in_the_Harvard_Art_Museums +
, http://dbpedia.org/resource/Grande_Odalisque +
|
http://dbpedia.org/property/artist
|
http://dbpedia.org/resource/Jean-Auguste-Dominique_Ingres +
|
http://dbpedia.org/property/heightImperial
|
251
|
http://dbpedia.org/property/heightMetric
|
63.8
|
http://dbpedia.org/property/medium
|
http://dbpedia.org/resource/Oil_on_canvas +
|
http://dbpedia.org/property/museum
|
http://dbpedia.org/resource/Fogg_Museum +
|
http://dbpedia.org/property/title
|
Raphael and La Fornarina
|
http://dbpedia.org/property/widthImperial
|
21
|
http://dbpedia.org/property/widthMetric
|
53.3
|
http://dbpedia.org/property/wikiPageUsesTemplate
|
http://dbpedia.org/resource/Template:Short_description +
, http://dbpedia.org/resource/Template:Cite_journal +
, http://dbpedia.org/resource/Template:Infobox_artwork +
, http://dbpedia.org/resource/Template:Reflist +
, http://dbpedia.org/resource/Template:Raphael +
, http://dbpedia.org/resource/Template:Sfn +
, http://dbpedia.org/resource/Template:Italic_title +
, http://dbpedia.org/resource/Template:Jean_Auguste_Dominique_Ingres +
, http://dbpedia.org/resource/Template:Cite_book +
|
http://dbpedia.org/property/year
|
1813
|
http://purl.org/dc/terms/subject
|
http://dbpedia.org/resource/Category:Paintings_by_Jean-Auguste-Dominique_Ingres +
, http://dbpedia.org/resource/Category:Paintings_about_painting +
, http://dbpedia.org/resource/Category:Paintings_in_the_collection_of_the_Columbus_Museum_of_Art +
, http://dbpedia.org/resource/Category:Paintings_in_the_Harvard_Art_Museums +
, http://dbpedia.org/resource/Category:1814_paintings +
, http://dbpedia.org/resource/Category:1813_paintings +
, http://dbpedia.org/resource/Category:Cultural_depictions_of_Raphael +
|
http://purl.org/linguistics/gold/hypernym
|
http://dbpedia.org/resource/Painting +
|
http://www.w3.org/ns/prov#wasDerivedFrom
|
http://en.wikipedia.org/wiki/Raphael_and_La_Fornarina?oldid=1076209768&ns=0 +
|
http://xmlns.com/foaf/0.1/depiction
|
http://commons.wikimedia.org/wiki/Special:FilePath/Ingres_look2.jpg +
, http://commons.wikimedia.org/wiki/Special:FilePath/Raffaello%2C_madonna_della_seggiola_01.jpg +
, http://commons.wikimedia.org/wiki/Special:FilePath/Raffaello_Sanzio.jpg +
, http://commons.wikimedia.org/wiki/Special:FilePath/La_Fornarina_by_Raffaello_%28cropped%29.jpg +
, http://commons.wikimedia.org/wiki/Special:FilePath/Jean_auguste_dominique_ingres_raphael_and_the_fornarina.jpg +
, http://commons.wikimedia.org/wiki/Special:FilePath/France-003335_-_Grande_Odalisque_%2816051027150%29.jpg +
|
http://xmlns.com/foaf/0.1/isPrimaryTopicOf
|
http://en.wikipedia.org/wiki/Raphael_and_La_Fornarina +
|
http://xmlns.com/foaf/0.1/name
|
Raphael and La Fornarina
|
owl:sameAs |
http://rdf.freebase.com/ns/m.012sq7vf +
, https://global.dbpedia.org/id/uLy2 +
, http://www.wikidata.org/entity/Q19895374 +
, http://it.dbpedia.org/resource/Raffaello_e_la_Fornarina +
, http://dbpedia.org/resource/Raphael_and_La_Fornarina +
|
rdf:type |
http://dbpedia.org/ontology/Artwork +
, http://www.wikidata.org/entity/Q386724 +
, http://schema.org/CreativeWork +
, http://dbpedia.org/ontology/Work +
|
rdfs:comment |
Raphael and La Fornarina was painted in 18 … Raphael and La Fornarina was painted in 1813, in Italy, by Jean-Auguste-Dominique Ingres. It is the first of five versions of the painting, which he completed between 1813 and his death in 1867. In 1814 his first version was exhibited at the Salon. The work shows the renowned painter, Raphael, sitting in his studio with his mistress, La Fornarina (the baker), on his knee. His embrace reflects his affection and desire for her, while his gaze towards his own artwork, his portrait of his mistress, indicates his love for art. This contrast represents the painter's major conflict between who he loves and what he loves. The mistress makes eye contact with the viewer and her posture, specifically her arms resting on his shoulders, shows how proud and satisfied she is with being his mistress and isfied she is with being his mistress and i
, Raffaello e la Fornarina (Raphaël et la Fo … Raffaello e la Fornarina (Raphaël et la Fornarina) è un dipinto di Jean-Auguste-Dominique Ingres. Rappresenta Raffaello Sanzio, il massimo artista ispiratore di Ingres, nel proprio studio con Margherita Luti, la più famosa delle sue modelle, soprannominata "La Fornarina" e da lui immortalata in un celebre ritratto, che si intravede - appena completato - all'estrema destra della composizione. In secondo piano, collocata su un mobile appoggiato alla parete di fondo, si trova invece un'altra opera del maestro italiano, la Madonna della Seggiola.estro italiano, la Madonna della Seggiola.
|
rdfs:label |
Raffaello e la Fornarina
, Raphael and La Fornarina
|