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El gharana de Punyab (a veces llamado pany … El gharana de Punyab (a veces llamado panyabí gharānā) es un estilo y técnica de tablá, originario de la región de Punyab (hoy en día dividida entre India y Pakistán). El estilo que trabaja es el que aparece al ser ejecutados los acentos rítmicos del tablá, importante instrumento de percusión semimelódico, en el cual el gharana de Punyab representa su mayor folclore, que se distingue de otros gharanas por sus múltiples colores. Las células rítmico-melódicas (taal) más conocidas de este gharana son, entre otras:
* kahrwa taal
* mata taal
* pashto taal
* talwaar taal
* dhawerno taal,hto taal
* talwaar taal
* dhawerno taal,
, Paṅjāb Gharānā (Urdu:پنجاب گھرانا) (Hindi: … Paṅjāb Gharānā (Urdu:پنجاب گھرانا) (Hindi: पंजाब घराना) (Punjabi: ਪੰਜਾਬ ਘਰਾਨਾ) (sometimes called Punjabi or Paṅjābī Gharānā), is a style and technique of Tabla playing that originated in the Punjab region of the Indian subcontinent, now split between present-day Pakistan and India. The Punjab Gharana is considered one of the six main styles of Tabla, the others being Delhi, Ajrada, Banares, Lucknow, and Farrukhabad. The repertoire of the Punjab Gharana is heavily influenced by the Pakhawaj.ana is heavily influenced by the Pakhawaj.
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Paṅjāb Gharānā (Urdu:پنجاب گھرانا) (Hindi: … Paṅjāb Gharānā (Urdu:پنجاب گھرانا) (Hindi: पंजाब घराना) (Punjabi: ਪੰਜਾਬ ਘਰਾਨਾ) (sometimes called Punjabi or Paṅjābī Gharānā), is a style and technique of Tabla playing that originated in the Punjab region of the Indian subcontinent, now split between present-day Pakistan and India. The Punjab Gharana is considered one of the six main styles of Tabla, the others being Delhi, Ajrada, Banares, Lucknow, and Farrukhabad. The repertoire of the Punjab Gharana is heavily influenced by the Pakhawaj.ana is heavily influenced by the Pakhawaj.
, El gharana de Punyab (a veces llamado pany … El gharana de Punyab (a veces llamado panyabí gharānā) es un estilo y técnica de tablá, originario de la región de Punyab (hoy en día dividida entre India y Pakistán). El estilo que trabaja es el que aparece al ser ejecutados los acentos rítmicos del tablá, importante instrumento de percusión semimelódico, en el cual el gharana de Punyab representa su mayor folclore, que se distingue de otros gharanas por sus múltiples colores. Las células rítmico-melódicas (taal) más conocidas de este gharana son, entre otras:
* kahrwa taal
* mata taal
* pashto taal
* talwaar taal
* dhawerno taal,hto taal
* talwaar taal
* dhawerno taal,
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| rdfs:label |
Gharana de Panyab
, Punjab gharana
|
