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I bootleg dei Pink Floyd sono una serie di album discografici contenenti registrazioni di concerti del gruppo mai pubblicati ufficialmente dal gruppo.
, Pink Floyd est un des groupes de rock qui … Pink Floyd est un des groupes de rock qui a vu le plus de disques pirates sortir dans le commerce. On en compte plusieurs centaines. La quasi-totalité de ces enregistrements ont été réalisés lors de concerts. Il existe aussi quelques rares enregistrements studios passés dans le circuit des disques pirates ; la plupart sont des prises alternatives de Syd Barrett. Comme tous les disques pirates, ceux de Pink Floyd sont de qualité très inégale : ils varient entre l’excellent, notamment pour les concerts de 1994 et 1998 grâce aux progrès techniques, et le très mauvais pour ceux entre 1967 et 1971.très mauvais pour ceux entre 1967 et 1971.
, Pink Floyd bootleg recordings are the coll … Pink Floyd bootleg recordings are the collections of audio and video recordings of musical performances by the British rock band Pink Floyd, which were never officially released by the band. The recordings consist of both live performances and outtakes from studio sessions unavailable in official releases. In some cases, certain bootleg recordings may be highly prized among collectors, as at least 40 songs composed by Pink Floyd have never been officially released. During the 1970s, bands such as Pink Floyd created a lucrative market for the mass production of unofficial recordings with large followings of fans willing to purchase them. In addition, the huge crowds that turned up to these concerts made the effective policing of the audience for the presence of recording equipment virtually impossible. Vast numbers of recordings were issued for profit by bootleg labels. Some Pink Floyd bootlegs exist in several variations with differing sound quality and length because sometimes listeners have recorded different versions of the same performance at the same time. Pink Floyd was a group that protected its sonic performance, making recording with amateur recording devices difficult. In their career, Pink Floyd played over 1,300 concerts, of which more than 350 were released as bootlegged recordings (sometimes in various versions). Few concerts have ever been broadcast (or repeated once they were broadcast on television), especially during 'the golden age' of the group from 1966 to 1981. Pink Floyd was one of the mainstays of the bootleg industry in the 1970s. In 1999, the group was mentioned on BPI's list of most bootlegged British artists of all time. One of the best known ROIO's by Pink Floyd is Best of Tour '72: Live at the Rainbow Theatre with a concert performed on 20 February 1972. This bootleg includes one of the first performances of The Dark Side of the Moon. One year and one month before the official release of that same album, the bootleg had already sold over 120,000 copies. In 2008, the Pink Floyd bootleg Madison Square Garden, New York, NY – 2 July 1977 was mentioned on the Yahoo's Top 10 of Best Bootlegs of All Time.hoo's Top 10 of Best Bootlegs of All Time.
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I bootleg dei Pink Floyd sono una serie di album discografici contenenti registrazioni di concerti del gruppo mai pubblicati ufficialmente dal gruppo.
, Pink Floyd bootleg recordings are the coll … Pink Floyd bootleg recordings are the collections of audio and video recordings of musical performances by the British rock band Pink Floyd, which were never officially released by the band. The recordings consist of both live performances and outtakes from studio sessions unavailable in official releases. In some cases, certain bootleg recordings may be highly prized among collectors, as at least 40 songs composed by Pink Floyd have never been officially released.Floyd have never been officially released.
, Pink Floyd est un des groupes de rock qui … Pink Floyd est un des groupes de rock qui a vu le plus de disques pirates sortir dans le commerce. On en compte plusieurs centaines. La quasi-totalité de ces enregistrements ont été réalisés lors de concerts. Il existe aussi quelques rares enregistrements studios passés dans le circuit des disques pirates ; la plupart sont des prises alternatives de Syd Barrett. Comme tous les disques pirates, ceux de Pink Floyd sont de qualité très inégale : ils varient entre l’excellent, notamment pour les concerts de 1994 et 1998 grâce aux progrès techniques, et le très mauvais pour ceux entre 1967 et 1971.très mauvais pour ceux entre 1967 et 1971.
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