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A performance rights organisation (PRO), a … A performance rights organisation (PRO), also known as a performing rights society, provides intermediary functions, particularly collection of royalties, between copyright holders and parties who wish to use copyrighted works publicly in locations such as shopping and dining venues. Legal consumer purchase of works, such as buying CDs from a music store, confer private performance rights. PROs usually only collect royalties when use of a work is incidental to an organisation's purpose. Royalties for works essential to an organisation's purpose, such as theaters and radio, are usually negotiated directly with the rights holder. The interest of the organisations varies: many have the sole focus of musical works, while others may also encompass works and authors for audiovisual, drama, literature, or the visual arts. In some countries PROs are called copyright collectives or copyright collecting agencies. A copyright collective is more general than a PRO as it is not limited to performances and includesreproduction rights organisations (RROs). RROs represent works distributed via mediums such as CD, audiocassette, or computer file rather than use of works in public settings. The global governing body for PROs is CISAC headquartered in France, with 228 member societies in 119 countries.ith 228 member societies in 119 countries.
, 演奏権管理団体（英：Performance Rights Organization、 … 演奏権管理団体（英：Performance Rights Organization、略称：PRO）は、著作権者と、買い物や飲食店などの場所で著作物を公に使用したい者との間で、使用料の徴収を中心とした仲介機能を提供する。レコード店でCDを購入するように、消費者が合法的に作品を購入すると、私的な演奏権が発生する。対してPROは、作品の使用がPROの目的に付随している場合にのみ、使用料を徴収する。 国によっては、PROは著作権管理団体と呼ばれている。著作権管理団体は、演奏に限定されず、録音権管理団体をも含み、PROよりも一般的である。録音権管理団体は、公共の場での著作物の使用ではなく、CD、オーディオ・カセット、音楽ファイルなどの媒体で配布される著作物を管理する。く、CD、オーディオ・カセット、音楽ファイルなどの媒体で配布される著作物を管理する。
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A performance rights organisation (PRO), a … A performance rights organisation (PRO), also known as a performing rights society, provides intermediary functions, particularly collection of royalties, between copyright holders and parties who wish to use copyrighted works publicly in locations such as shopping and dining venues. Legal consumer purchase of works, such as buying CDs from a music store, confer private performance rights. PROs usually only collect royalties when use of a work is incidental to an organisation's purpose. Royalties for works essential to an organisation's purpose, such as theaters and radio, are usually negotiated directly with the rights holder. The interest of the organisations varies: many have the sole focus of musical works, while others may also encompass works and authors for audiovisual, drama, liter and authors for audiovisual, drama, liter
, 演奏権管理団体（英：Performance Rights Organization、 … 演奏権管理団体（英：Performance Rights Organization、略称：PRO）は、著作権者と、買い物や飲食店などの場所で著作物を公に使用したい者との間で、使用料の徴収を中心とした仲介機能を提供する。レコード店でCDを購入するように、消費者が合法的に作品を購入すると、私的な演奏権が発生する。対してPROは、作品の使用がPROの目的に付随している場合にのみ、使用料を徴収する。 国によっては、PROは著作権管理団体と呼ばれている。著作権管理団体は、演奏に限定されず、録音権管理団体をも含み、PROよりも一般的である。録音権管理団体は、公共の場での著作物の使用ではなく、CD、オーディオ・カセット、音楽ファイルなどの媒体で配布される著作物を管理する。く、CD、オーディオ・カセット、音楽ファイルなどの媒体で配布される著作物を管理する。
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演奏権管理団体
, Performance rights organisation
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