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http://dbpedia.org/resource/Na_Baixa_do_Sapateiro
http://dbpedia.org/ontology/abstract "Na Baixa do Sapateiro" (English: In the S"Na Baixa do Sapateiro" (English: In the Shoemaker's Hollow) is a famous Brazilian song, written by Ary Barroso. Its title comes from a street in Salvador, Bahia, where many cobblers once worked.It was originally released in 1938 as the B side to , which did not achieve the same level of success.This first recording was sung by Carmen Miranda with .She never released the song on disc in the United States. The song was originally going to be featured in the Carmen Miranda film Banana da Terra (1939), but was replaced with "O Que É Que A Baiana Tem?", because of the high license fee demanded by Ary Barroso to use his song. However the song has been recorded many other times by a large number of artists. The song gained international fame when it was featured in the Disney film The Three Caballeros (1944).e Disney film The Three Caballeros (1944). , "Na Baixa do Sapateiro" é um samba composto por Ary Barroso e gravado por Carmen Miranda em 1938.
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rdfs:comment "Na Baixa do Sapateiro" (English: In the S"Na Baixa do Sapateiro" (English: In the Shoemaker's Hollow) is a famous Brazilian song, written by Ary Barroso. Its title comes from a street in Salvador, Bahia, where many cobblers once worked.It was originally released in 1938 as the B side to , which did not achieve the same level of success.This first recording was sung by Carmen Miranda with .She never released the song on disc in the United States. The song was originally going to be featured in the Carmen Miranda film Banana da Terra (1939), but was replaced with "O Que É Que A Baiana Tem?", because of the high license fee demanded by Ary Barroso to use his song. However the song has been recorded many other times by a large number of artists. The song gained international fame when it was featured in the Disney film The Three Cabafeatured in the Disney film The Three Caba , "Na Baixa do Sapateiro" é um samba composto por Ary Barroso e gravado por Carmen Miranda em 1938.
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