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Lost in the Funhouse (1968) is a short sto … Lost in the Funhouse (1968) is a short story collection by American author John Barth. The postmodern stories are extremely self-conscious and self-reflexive and are considered to exemplify metafiction. Though Barth's reputation rests mainly on his long novels, the stories "Night-Sea Journey", "Lost in the Funhouse", "Title" and "Life-Story" from Lost in the Funhouse are widely anthologized. The book appeared the year after the publication of Barth's essay The Literature of Exhaustion, in which Barth said that the traditional modes of realistic fiction had been used up, but that this exhaustion itself could be used to inspire a new generation of writers, citing Nabokov, Beckett, and especially Borges as exemplars of this new approach. Lost in the Funhouse took these ideas to an extreme, for which it was both praised and condemned by critics.was both praised and condemned by critics.
, Zagubiony w labiryncie śmiechu – zbiór czt … Zagubiony w labiryncie śmiechu – zbiór czternastu opowiadań Johna Bartha z 1968 roku. Opowiadania łączą się przez pewne słowa-klucze, swoiste spojrzenie na świat i literaturę, jednak pozostają indywidualnymi tworami. Autor odwołuje się zarówno do klasyki literatury (Menelajada) jak i do samej teorii literatury ("Autobiografia", tytułowe: "Zagubiony w labiryncie śmiechu"). Zmienia się również narrator poszczególnych opowiadań, raz jest to trzecioosobowy obserwator dobrze znający bohatera, niemal z nim tożsamy ("List wyłowiony z morza"), raz pierwszoosobowy, mówiący o sobie samym (niezwykły w "Autobiografii"), albo właściwie nieistniejący, zbędny w opowiadaniu opartym na koncepcie pozajęzykowym (Opowieść ramowa).koncepcie pozajęzykowym (Opowieść ramowa).
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Zagubiony w labiryncie śmiechu – zbiór czt … Zagubiony w labiryncie śmiechu – zbiór czternastu opowiadań Johna Bartha z 1968 roku. Opowiadania łączą się przez pewne słowa-klucze, swoiste spojrzenie na świat i literaturę, jednak pozostają indywidualnymi tworami. Autor odwołuje się zarówno do klasyki literatury (Menelajada) jak i do samej teorii literatury ("Autobiografia", tytułowe: "Zagubiony w labiryncie śmiechu"). Zmienia się również narrator poszczególnych opowiadań, raz jest to trzecioosobowy obserwator dobrze znający bohatera, niemal z nim tożsamy ("List wyłowiony z morza"), raz pierwszoosobowy, mówiący o sobie samym (niezwykły w "Autobiografii"), albo właściwie nieistniejący, zbędny w opowiadaniu opartym na koncepcie pozajęzykowym (Opowieść ramowa).koncepcie pozajęzykowym (Opowieść ramowa).
, Lost in the Funhouse (1968) is a short story collection by American author John Barth. The postmodern stories are extremely self-conscious and self-reflexive and are considered to exemplify metafiction.
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Zagubiony w labiryncie śmiechu
, Lost in the Funhouse
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