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Lee Shih-chiao (Chinese: 李石樵; pinyin: Lǐ S … Lee Shih-chiao (Chinese: 李石樵; pinyin: Lǐ Shíqiáo; 13 July 1908 – 7 July 1995) was a Taiwanese painter. His art education and career began when Taiwan was under Japanese rule. Most of his paintings were realistic, but he also created some cubist works in his mid-life. He contributed significantly to art in Taiwan, as an artist and educator. The Lee Shih-chiao Museum of Art was established in 1992, three years before his death.hed in 1992, three years before his death.
, 李石樵（り せきしょう）は台湾の画家。台湾第一世代の洋画家として知られ、"画家の画家"、"九段画家"と称される。
, 李石樵（臺灣話：Lí Tsio̍h-tsiâu，1908年7月13日－1995年7月 … 李石樵（臺灣話：Lí Tsio̍h-tsiâu，1908年7月13日－1995年7月7日），臺灣貴仔坑人（今新北市泰山區），台灣第一代西畫家。其作品早期多次獲得入選「帝展」、「台展」等殊榮，是台灣近代畫家中，少數以思考性畫風見長的一位。終生不輟藝事。 其早期風格以寫實為主，其間有日治時代的意氣飛揚，戰後之初的困頓蹇塞。然秉其個人堅持之「藝術道德」，毅然投注現代抽象畫之探討。50年代以後受到立體主義的啟示，強調造型簡化並運用反透視的技法，畫面明暗對比強烈。晚年移居美國，以人物群像、風景為主題，粹煉過的造型配以明亮的色彩，力求於客觀表現上提高主觀之色彩之彩度，極力追逐燦爛絢麗，為同輩畫家中最傑出者之一。，力求於客觀表現上提高主觀之色彩之彩度，極力追逐燦爛絢麗，為同輩畫家中最傑出者之一。
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Taipei Bridge was selected for the first Taiwan Art Exhibition
, First Taiwanese painter to receive review exemption status for the Shin Bunten Exhibition in Japan.
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Co-Founder of Tai-Yang Art Society 臺陽美術協會
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Lee Shih-chiao
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李石樵
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Younger Brother
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Lǐ Shíqiáo
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Li Shih-chiao
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李石樵
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Lee Shih-chiao (Chinese: 李石樵; pinyin: Lǐ S … Lee Shih-chiao (Chinese: 李石樵; pinyin: Lǐ Shíqiáo; 13 July 1908 – 7 July 1995) was a Taiwanese painter. His art education and career began when Taiwan was under Japanese rule. Most of his paintings were realistic, but he also created some cubist works in his mid-life. He contributed significantly to art in Taiwan, as an artist and educator. The Lee Shih-chiao Museum of Art was established in 1992, three years before his death.hed in 1992, three years before his death.
, 李石樵（り せきしょう）は台湾の画家。台湾第一世代の洋画家として知られ、"画家の画家"、"九段画家"と称される。
, 李石樵（臺灣話：Lí Tsio̍h-tsiâu，1908年7月13日－1995年7月 … 李石樵（臺灣話：Lí Tsio̍h-tsiâu，1908年7月13日－1995年7月7日），臺灣貴仔坑人（今新北市泰山區），台灣第一代西畫家。其作品早期多次獲得入選「帝展」、「台展」等殊榮，是台灣近代畫家中，少數以思考性畫風見長的一位。終生不輟藝事。 其早期風格以寫實為主，其間有日治時代的意氣飛揚，戰後之初的困頓蹇塞。然秉其個人堅持之「藝術道德」，毅然投注現代抽象畫之探討。50年代以後受到立體主義的啟示，強調造型簡化並運用反透視的技法，畫面明暗對比強烈。晚年移居美國，以人物群像、風景為主題，粹煉過的造型配以明亮的色彩，力求於客觀表現上提高主觀之色彩之彩度，極力追逐燦爛絢麗，為同輩畫家中最傑出者之一。，力求於客觀表現上提高主觀之色彩之彩度，極力追逐燦爛絢麗，為同輩畫家中最傑出者之一。
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Lee Shih-chiao
, 李石樵
|
