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http://dbpedia.org/ontology/abstract	Il Free jazz è uno stile di jazz caratteri … Il Free jazz è uno stile di jazz caratterizzato dalla ricerca di un’estrema libertà armonica e ritmica, basato sull’improvvisazione e senza schemi formali precostituiti. Il titolo di un disco del 1960 del sassofonista Ornette Coleman è passato a indicare questo stile di jazz. Il free jazz, talvolta noto come free form, è una forma di musica sperimentale nata tra New York e Chicago, tra la fine degli anni cinquanta e l'inizio degli anni sessanta, parallelamente al sorgere delle grandi battaglie razziali di Martin Luther King e, soprattutto, di Malcolm X: il Black Power sarà sempre un marchio distintivo dei musicisti "Free". Il genere ha rivestito e riveste, perciò, una grande valenza sociale. Come indica il nome si tratta di un tipo di musica libera, completamente al di fuori degli schemi: uno dei limiti estremi raggiunti negli anni è stata la partitura per quintetto che prevedeva la libera improvvisazione contemporanea, di tutti gli strumenti secondo l'estro del momento.I caratteri di novità di questo stile rispetto ai precedenti consistono nella frammentazione e irregolarità del ritmo e della metrica, nell'atonalità che può arrivare fino al rumorismo, nell'assorbimento di tradizioni musicali provenienti da ogni parte del mondo (tanto che può essere considerato un antenato della World Music) e soprattutto nella tensione, intesa come intensità e liricità, che talvolta assume caratteri orgiastici e liberatori. Tra i brani che meglio rappresentano la nascita di questo stile ricordiamo: Free Jazz: A Collective Improvisation di Ornette Coleman (considerato il padre di questa musica sperimentale), e Freedom Now Suite di Max Roach.entale), e Freedom Now Suite di Max Roach. , Free jazz is an experimental approach to j … Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the bebop, hard bop, and modal jazz that had been played before them was too limiting. They became preoccupied with creating something new and exploring new directions. The term "free jazz" has often been combined with or substituted for the term "avant-garde jazz". Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz and has been described as an attempt to return to primitive, often religious, roots. Although jazz is an American invention, free jazz musicians drew heavily from world music and ethnic music traditions from around the world. Sometimes they played African or Asian instruments, unusual instruments, or invented their own. They emphasized emotional intensity and sound for its own sake, exploring timbres.sound for its own sake, exploring timbres. , フリー・ジャズ（英: Free jazz）は、1950年代末にビバップなどのそれまでのジャズの演奏形態を否定、革新した当時の新しいジャズのジャンルであり、1960年代に隆盛となった。 , Free Jazz ist einerseits ein historischer … Free Jazz ist einerseits ein historischer Begriff für (harmonisch) freies Improvisationsspiel im Jazz seit den 1960er Jahren. Andererseits ist es ein bis heute ausstrahlendes Paradigma, das die Möglichkeit zur freien Entfaltung immer neuer Formen im Jazz und auch darüber hinaus (etwa in der Intuitiven Musik) bereithält. Der Begriff selbst kann zu Missverständnissen führen, da eine Freiheit in Bezug auf die herkömmlichen Spielhaltungen des Jazz nur bedingt genutzt wird und es neben einer völligen Freiheit in der Form (Free Form Jazz) durchaus Improvisationen gibt, die auf Kompositionen und kompositionsähnlichen Absprachen über Strukturen beruhen.lichen Absprachen über Strukturen beruhen. , Фри-джаз (англ. free jazz, букв. — «свобод … Фри-джаз (англ. free jazz, букв. — «свободный джаз») — стиль современной джазовой музыки, для которого характерен отход от принципов тональной организации музыкального материала, блюзовой последовательности аккордов, традиционной свинговой ритмики. Основной акцент делается на свободу импровизации (зачастую групповой), разнообразие выразительных средств, позволяющее максимально полно отразить интеллектуальную и чувственную составляющие музыки. Основу стиля заложили во второй половине 1950-х годов саксофонист Орнетт Коулмэн и пианист Сесил Тэйлор. Большое влияние на формирование фри-джаза оказали также поздние работы Джона Колтрейна, а в список основных «пионеров» стиля, помимо Коулмэна и Тэйлора, входят Сан Ра, Эрик Долфи, Альберт Эйлер, Арчи Шепп, Билл Диксон, Дон Черри, Фэроу Сэндерс, , , Пол Блей, Артур Дойл. Фри-джаз, как правило, считается экспериментальным, новаторским направлением, но иногда позиционируется и противоположным образом — как попытка вернуть джаз к его «корням», этническим или религиозным. Иногда в значении фри-джаза употребляются термины «абстрактный джаз», «новая вещь», «новое явление», «новый джаз», «авангардный джаз» (в других вариантах авангардный джаз считается либо более широким понятием, либо родственным течением, отличающимся от фри-джаза композиционными принципами). Стиль получил своё название благодаря альбому Орнетта Коулмэна «Free Jazz: A Collective Improvisation» (записан в 1960 году).tive Improvisation» (записан в 1960 году). , Frijazz eller avantgardjazz, free jazz, är … Frijazz eller avantgardjazz, free jazz, är en riktning inom jazzen som karaktäriseras av minimal hänsyn till och påverkan av formella gränser. Frijazzen introducerades under 1950- och 1960-talet av artister som Ornette Coleman, , Albert Ayler, Archie Shepp, och . Den frijazz som är mest känd är kanske musiken som John Coltrane producerade i slutet av sin karriär. Även om frijazz ofta förknippas med tiden då den introducerades, har många musiker som Peter Brötzmann, , , Mats Gustafsson, Theo Jörgensmann, och vidareutvecklat genren. I Sverige utmärker sig trion , bestående av trumslagaren Emil Åstrand-Melin, pianisten Sebastian Bergström och basisten Joacim Nyberg. Bland annat tack vare Åstrand-Melins utmärkta trumteknik har till exempel Svenska Dagbladet lakoniskt konstaterat att trion upphöjt den svenska frijazzen till nya nivåer. Frijazzen uppkom som en reaktion på att den (ursprungligen) svarta musikformen jazz har "förvitats" och inte längre var de svartas musik, jfr bebop. Utmärkande drag inom frijazz är att melodin är just fri. Ensemblen bestod vanligen av en trumpetare, en saxofonist, en trumslagare och en kontrabasist. Trumpetaren och saxofonisten spelade mot varandra snarare än med varandra. Melodin anses vara det vita i musiken och det som håller ihop kompositionerna inom frijazzgenren är basen och trummorna, ursprungligen de svartas instrument.orna, ursprungligen de svartas instrument. , Free jazz – nurt w jazzie nowoczesnym, który powstał i rozwinął się w latach 60. XX wieku. , Фрі-джаз (англ. free jazz) — течія сучасного джазу, що з'явилась у 1960-х роках. , Freejazz is een avant-gardistische muzieks … Freejazz is een avant-gardistische muziekstijl binnen de jazzmuziek die zijn oorsprong vindt in de jaren 1950 en 1960. Jazzmusici die met deze stijl worden geassocieerd zijn onder anderen de saxofonisten Ornette Coleman, Frank Wright, Albert Ayler, de pianist Cecil Taylor en drummers Pierre Courbois, Han Bennink, Milford Graves en Sunny Murray. Kenmerkend voor deze stijl is het bewust afwijken van de in die tijd gangbare conventies binnen de jazz-improvisatie zoals vaste akkoordopvolgingen, tonale harmonie, of gelijkblijvend tempi en een vast metrum. De beweging kreeg zijn grootste impuls (en zijn naam) toen Ornette Coleman van de westkust naar New York kwam en een contract tekende bij Atlantic Records. Met platenalbums als en zette Coleman een radicale stap in vergelijking met zijn vroegere, meer conventionele werk. In 1960 verscheen en free jazz sloeg aan als benaming voor deze vernieuwende beweging binnen de jazz.deze vernieuwende beweging binnen de jazz. , El free jazz es uno de los estilos o subgé … El free jazz es uno de los estilos o subgéneros propios del jazz. La expresión se utiliza en inglés, aunque la traducción «jazz libre» expresa igualmente el sentido del término. En sus comienzos, en Estados Unidos se conoció como new thing (literalmente la «cosa nueva»).new thing (literalmente la «cosa nueva»). , Free-jazza (ingelesezko terminoa; hitzez h … Free-jazza (ingelesezko terminoa; hitzez hitz euskaraz, "jazz librea") jazz-estilo bat da, muga formalen mendekotasuna murrizten duena. Berrogeita hamarreko eta hirurogeiko hamarkadetan garatu zen. Estiloaren aitzindariak Ornette Coleman, Cecil Taylor, Albert Ayler, Archie Shepp, Bill Dixon eta Paul Bley musikariak izan ziren. Nahiz eta, agian, adibiderik ezagunenak John Coltraneren azken lanak izan. Free-jazza sortu zeneko garaiarekin lotuta egon arren, hainbat musikarik gaur egun arte eutsi diote estiloari, eta jazzaren barruko bilakaerarekin jarraitu dute. Nabarmentzekoak dira Peter Brotzmann, Cecil Taylor, , Theo Jörgensmann, Ken Vandermark edo William Parker. Etxetik hurbilago zegoen Intercommunal Free Dance Music Orchestra, hirurogeita hamarreko hamarkadan Frantziaren estiloaren aitzindaria, François Tusques pianista eta konpositorea eta Carles Andreu kantari katalana buru zituela.rles Andreu kantari katalana buru zituela. , 프리 재즈(free jazz)는 재즈의 (연주 형태 및 주법에 대한) 표현 총칭 중 하나이다. 기존의 재즈 음악 양식, 서양 음악의 이론이나 양식에서 벗어난 재즈 음악 양식이 특징이다. 대표적인 프리 재즈 음악가로는 오넷 콜먼, 존 콜트레인, 에릭 돌피가 있다. , Free jazz je podžánr jazzové hudby. Vznikl v 50. letech 20. století ve Spojených státech a je založen na volné improvizaci. Mezi free jazzové hudebníky patří kupříkladu Ornette Coleman a Sun Ra. , Libera ĵazo estas unuaflanke historia term … Libera ĵazo estas unuaflanke historia termino por harmonie libera improvizado en ĵazo ekde la 1960-aj jaroj. Aliaflanke ĝi estas modelo ĝis nun disradianta, kiu propponas la eblecon de libera disvolviĝo de ĉiam novaj formoj en ĵazo kaj trans ĵazo (ekzemple en ). La termino mem povas konduki al miskomprenoj, ĉar libereco rilate la tradiciajn ludmanierojn nur limigite estas uzata kaj krom plena libereco je la formo (liberforma ĵazo) nepre ekzistas improvizaĵoj, kiuj baziĝas sur komponaĵoj kaj kompoziciecaj interkonsentoj pri strukturoj.mpoziciecaj interkonsentoj pri strukturoj. , Le free jazz (ou new thing) est une approc … Le free jazz (ou new thing) est une approche du jazz qui se développe tout d'abord dans les années 1950 et 1960. La musique créée par les pionniers du free jazz présente des caractéristiques très diverses. Le mouvement naît de l'insatisfaction des limites qu'établissaient le bebop, le hard bop ou le jazz modal, développés dans les années 1940 et 1950. Chacun à sa manière, les musiciens de free jazz ont tenté d'altérer, d'étendre ou de rompre les conventions du jazz, bien souvent en se défaussant des caractéristiques jusqu'ici immuables tels que l'allégeance au tempo et les changements d'accords préalablement fixés. Communément considéré comme expérimental et d'avant-garde, le free jazz peut également être vu comme une tentative de retour aux racines du jazz, notamment par la dimension religieuse et l'improvisation collective. Le mouvement free jazz est généralement associé aux innovations qu'ont apportées Ornette Coleman et Cecil Taylor dans les années 1950, ainsi que la production tardive de John Coltrane. Sont également inclus dans les pionniers du free jazz Charles Mingus, Eric Dolphy, Albert Ayler, Archie Shepp, Joe Maneri et Sun Ra. De nombreux albums de free jazz des années 1960 notamment sont sortis sous le label ESP-Disk.amment sont sortis sous le label ESP-Disk. , El free-jazz (terme anglès; literalment en … El free-jazz (terme anglès; literalment en català, "jazz lliure") és un estil de jazz que es caracteritza per la disminució de la dependència dels límits formals. Es va desenvolupar durant les dècadse dels cinquanta i dels seixanta. Els capdavanters de l'estil van ser músics com ara Ornette Coleman, Cecil Taylor, , , i Paul Bley. Tot i que, potser, els exemples més coneguts són les darreres obres de John Coltrane Tot i que el free-jazz és sovint associat amb l'època en què va nàixer, hi ha tot un seguit de músics que han mantingut viu l'estil fins a l'actualitat i n'han continuat l'evolució dins del jazz. Cal destacar-ne Peter Brotzmann, Cecil Taylor, , Theo Jörgensmann, o . Més a prop de casa, hi havia la Intercommunal Free Dance Music Orchestra, una formació dels anys setanta pionera de l'estil a França, liderada pel pianista i compositor , i amb el cantant català, Carles Andreu. , i amb el cantant català, Carles Andreu. , Free Jazz ou "New Thing", como foi chamado … Free Jazz ou "New Thing", como foi chamado mais tarde, é um estilo de jazz criado nos Estados Unidos da América por músicos afro-americanos como John Coltrane e Rashied Ali, originário do Bebop e que propunha uma liberdade de improvisação musical total do músico e de uma diferenciação de atitude musical da música produzida pelos anglo-americanos. Tinha influência da música contemporânea produzida pelo compositor americano John Cage e conceitos musicais como atonalismo ou música aleatória. Vários músicos internacionais seguiram esta tendência durante as décadas de 1960 e 1970, principalmente aqueles que ideologicamente se identificavam com a questão do Movimento dos Direitos Civis nos EUA àquela época. Incluem-se músicos como o argentino Gato Barbieri, os ingleses John McLaughlin e , os alemães e Theo Jörgensmann a austríaca Das erste Wiener Gemüseorchester, os americanos Sun Ra e o brasileiro Hermeto Pascoal entre os mais representativos no mundo.al entre os mais representativos no mundo. , Η free jazz (φρι τζαζ) είναι προσέγγιση τη … Η free jazz (φρι τζαζ) είναι προσέγγιση της τζαζ, που εμφανίστηκε για πρώτη φορά στη δεκαετία του 1950 και του 1960 από μουσικούς που προσπάθησαν να αλλάξουν, να διευρύνουν ή να σπάσουν τη μουσική σύμβαση της τζαζ, συχνά με την απόρριψη της σταθερής εξέλιξης της συγχορδίας ή των παραδοσιακών ρυθμών τζαζ. Αν και η μουσική διαφορετικών συνθετών της τζαζ ποικίλλει, κοινό χαρακτηριστικό για την εξέλιξή της ήταν η δυσαρέσκεια για τους περιορισμούς της bebop, της hard bop και της που αναπτύχθηκε κατά τη δεκαετία του 1940 και του 1950. Συχνά περιγράφεται ως avant-garde, όπως επίσης και προσπάθεια να επιστρέψει η τζαζ στην πρωτόγονη μορφή της, συχνά με θρησκευτικές, ρίζες και έμφαση στον συλλογικό αυτοσχεδιασμό. Όπως υποδηλώνεται από την ονομασία που της δόθηκε, η φρι τζαζ δεν μπορεί να οριστεί επακριβώς, καθώς πολλοί μουσικοί διαμορφώνουν τις δικές τους έννοιες και ιδιώματα και δεν ήταν ποτέ εντελώς διακριτή ως μουσικό είδος. Μουσικοί της τζαζ, κυρίως οι (Φαρόα Σάντερς) και John Coltrane, χρησιμοποίησαν σκληρό φύσημα ή άλλες τεχνικές για να παράγουν αντισυμβατικούς ήχους ή έπαιξαν με ασυνήθιστα μέσα. Σε γενικές γραμμές παρήγαγαν μια προοδευτική μουσική γλώσσα που βασίστηκε σε παλαιότερες μορφές της τζαζ, όπως η και η . Συνήθως αυτό το είδος της μουσικής παίζεται από μικρές ομάδες μουσικών. Η μουσική συχνά ταλαντεύεται με συχνά και (επιταχύνσεις και επιβραδύνσεις) στο τέμπο. Η free jazz συνδέεται στενά με τη δεκαετία του 1950 και τις καινοτομίες του (Ορνέτ Κόουλμαν γνωστός και σαν Κόλμαν) και του , όπως επίσης με τα μεταγενέστερα έργα του σαξοφωνίστα John Coltrane. Στους πρωτοπόρους εντάσσονται οι , , , (Άρτσι Σεπ), και (Σαν Ρα). Ο Κόουλμαν πρωτοπόρησε σε πολλές τεχνικές, τυπικές της free jazz, απορρίπτοντας τις αλλαγές της συγχορδίας, πιστεύοντας ότι οι αυτοσχέδιες μελωδικές γραμμές χρησιμεύουν ως βάση για την αρμονική εξέλιξη στις συνθέσεις του. Ορισμένα από από τα έργα του ήταν επίσης σημαντικά για την διαμόρφωση του συγκεκριμένου μουσικού είδους. Ο Κηθ Τζόνσον της AllMusic περιγράφει το είδος ως «σύγχρονο δημιουργικό», στο οποίο «οι μουσικοί μπορούν να ενσωματώσουν το ελεύθερο παίξιμο σε δομημένους τρόπους ή να παίζουν οτιδήποτε». Ο Τζόνσον περιλαμβάνει στο είδος μουσικούς όπως ο Τζον Ζορν (John Zorn), ο Χένρι Κάιζερ (Henry Kaiser), ο Γιουτζίν Τσάμπουρν (Eugene Chadbourne), ο Στηβ Λέισι (Steve Lacy) και ο Ρέι Άντερσον (Ray Anderson) σε αυτό το είδος, που συνεχίζει «την παράδοση της δεκαετίας του '50 με '60 με τον τρόπο της φρι τζαζ».του '50 με '60 με τον τρόπο της φρι τζαζ». , 自由爵士（英語：free jazz）是爵士乐的一种，最早见于1950年代至1960年代。当时乐手们极尽所能去改变、延展、解离爵士乐的音乐传统，变更固定的方式或节拍速度。尽管自由爵士乐各有不同，但大部分都在表达着1940年代至1950年代期间发展出的咆勃爵士樂、硬博普樂和莫達爾爵士樂的不满。此外，自由爵士乐常常被认为是前卫运动的一部分，试图去探索爵士乐最本质、通常带有一丝宗教色彩的根源，并强调集体的即兴演奏。
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rdfs:comment	프리 재즈(free jazz)는 재즈의 (연주 형태 및 주법에 대한) 표현 총칭 중 하나이다. 기존의 재즈 음악 양식, 서양 음악의 이론이나 양식에서 벗어난 재즈 음악 양식이 특징이다. 대표적인 프리 재즈 음악가로는 오넷 콜먼, 존 콜트레인, 에릭 돌피가 있다. , Free jazz – nurt w jazzie nowoczesnym, który powstał i rozwinął się w latach 60. XX wieku. , フリー・ジャズ（英: Free jazz）は、1950年代末にビバップなどのそれまでのジャズの演奏形態を否定、革新した当時の新しいジャズのジャンルであり、1960年代に隆盛となった。 , Freejazz is een avant-gardistische muzieks … Freejazz is een avant-gardistische muziekstijl binnen de jazzmuziek die zijn oorsprong vindt in de jaren 1950 en 1960. Jazzmusici die met deze stijl worden geassocieerd zijn onder anderen de saxofonisten Ornette Coleman, Frank Wright, Albert Ayler, de pianist Cecil Taylor en drummers Pierre Courbois, Han Bennink, Milford Graves en Sunny Murray. Kenmerkend voor deze stijl is het bewust afwijken van de in die tijd gangbare conventies binnen de jazz-improvisatie zoals vaste akkoordopvolgingen, tonale harmonie, of gelijkblijvend tempi en een vast metrum.f gelijkblijvend tempi en een vast metrum. , 自由爵士（英語：free jazz）是爵士乐的一种，最早见于1950年代至1960年代。当时乐手们极尽所能去改变、延展、解离爵士乐的音乐传统，变更固定的方式或节拍速度。尽管自由爵士乐各有不同，但大部分都在表达着1940年代至1950年代期间发展出的咆勃爵士樂、硬博普樂和莫達爾爵士樂的不满。此外，自由爵士乐常常被认为是前卫运动的一部分，试图去探索爵士乐最本质、通常带有一丝宗教色彩的根源，并强调集体的即兴演奏。 , Free jazz is an experimental approach to j … Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the bebop, hard bop, and modal jazz that had been played before them was too limiting. They became preoccupied with creating something new and exploring new directions. The term "free jazz" has often been combined with or substituted for the term "avant-garde jazz". Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". jazz", "creative music", and "art music". , El free jazz es uno de los estilos o subgé … El free jazz es uno de los estilos o subgéneros propios del jazz. La expresión se utiliza en inglés, aunque la traducción «jazz libre» expresa igualmente el sentido del término. En sus comienzos, en Estados Unidos se conoció como new thing (literalmente la «cosa nueva»).new thing (literalmente la «cosa nueva»). , El free-jazz (terme anglès; literalment en … El free-jazz (terme anglès; literalment en català, "jazz lliure") és un estil de jazz que es caracteritza per la disminució de la dependència dels límits formals. Es va desenvolupar durant les dècadse dels cinquanta i dels seixanta. Els capdavanters de l'estil van ser músics com ara Ornette Coleman, Cecil Taylor, , , i Paul Bley. Tot i que, potser, els exemples més coneguts són les darreres obres de John Coltranets són les darreres obres de John Coltrane , Free Jazz ou "New Thing", como foi chamado … Free Jazz ou "New Thing", como foi chamado mais tarde, é um estilo de jazz criado nos Estados Unidos da América por músicos afro-americanos como John Coltrane e Rashied Ali, originário do Bebop e que propunha uma liberdade de improvisação musical total do músico e de uma diferenciação de atitude musical da música produzida pelos anglo-americanos.a música produzida pelos anglo-americanos. , Free jazz je podžánr jazzové hudby. Vznikl v 50. letech 20. století ve Spojených státech a je založen na volné improvizaci. Mezi free jazzové hudebníky patří kupříkladu Ornette Coleman a Sun Ra. , Le free jazz (ou new thing) est une approc … Le free jazz (ou new thing) est une approche du jazz qui se développe tout d'abord dans les années 1950 et 1960. La musique créée par les pionniers du free jazz présente des caractéristiques très diverses. Le mouvement naît de l'insatisfaction des limites qu'établissaient le bebop, le hard bop ou le jazz modal, développés dans les années 1940 et 1950. Chacun à sa manière, les musiciens de free jazz ont tenté d'altérer, d'étendre ou de rompre les conventions du jazz, bien souvent en se défaussant des caractéristiques jusqu'ici immuables tels que l'allégeance au tempo et les changements d'accords préalablement fixés. Communément considéré comme expérimental et d'avant-garde, le free jazz peut également être vu comme une tentative de retour aux racines du jazz, notamment par la dimension relis du jazz, notamment par la dimension reli , Free Jazz ist einerseits ein historischer … Free Jazz ist einerseits ein historischer Begriff für (harmonisch) freies Improvisationsspiel im Jazz seit den 1960er Jahren. Andererseits ist es ein bis heute ausstrahlendes Paradigma, das die Möglichkeit zur freien Entfaltung immer neuer Formen im Jazz und auch darüber hinaus (etwa in der Intuitiven Musik) bereithält. Der Begriff selbst kann zu Missverständnissen führen, da eine Freiheit in Bezug auf die herkömmlichen Spielhaltungen des Jazz nur bedingt genutzt wird und es neben einer völligen Freiheit in der Form (Free Form Jazz) durchaus Improvisationen gibt, die auf Kompositionen und kompositionsähnlichen Absprachen über Strukturen beruhen.lichen Absprachen über Strukturen beruhen. , Фрі-джаз (англ. free jazz) — течія сучасного джазу, що з'явилась у 1960-х роках. , Il Free jazz è uno stile di jazz caratteri … Il Free jazz è uno stile di jazz caratterizzato dalla ricerca di un’estrema libertà armonica e ritmica, basato sull’improvvisazione e senza schemi formali precostituiti. Il titolo di un disco del 1960 del sassofonista Ornette Coleman è passato a indicare questo stile di jazz. Tra i brani che meglio rappresentano la nascita di questo stile ricordiamo: Free Jazz: A Collective Improvisation di Ornette Coleman (considerato il padre di questa musica sperimentale), e Freedom Now Suite di Max Roach.entale), e Freedom Now Suite di Max Roach. , Libera ĵazo estas unuaflanke historia term … Libera ĵazo estas unuaflanke historia termino por harmonie libera improvizado en ĵazo ekde la 1960-aj jaroj. Aliaflanke ĝi estas modelo ĝis nun disradianta, kiu propponas la eblecon de libera disvolviĝo de ĉiam novaj formoj en ĵazo kaj trans ĵazo (ekzemple en ). La termino mem povas konduki al miskomprenoj, ĉar libereco rilate la tradiciajn ludmanierojn nur limigite estas uzata kaj krom plena libereco je la formo (liberforma ĵazo) nepre ekzistas improvizaĵoj, kiuj baziĝas sur komponaĵoj kaj kompoziciecaj interkonsentoj pri strukturoj.mpoziciecaj interkonsentoj pri strukturoj. , Frijazz eller avantgardjazz, free jazz, är … Frijazz eller avantgardjazz, free jazz, är en riktning inom jazzen som karaktäriseras av minimal hänsyn till och påverkan av formella gränser. Frijazzen introducerades under 1950- och 1960-talet av artister som Ornette Coleman, , Albert Ayler, Archie Shepp, och . Den frijazz som är mest känd är kanske musiken som John Coltrane producerade i slutet av sin karriär. Även om frijazz ofta förknippas med tiden då den introducerades, har många musiker som Peter Brötzmann, , , Mats Gustafsson, Theo Jörgensmann, och vidareutvecklat genren.o Jörgensmann, och vidareutvecklat genren. , Free-jazza (ingelesezko terminoa; hitzez h … Free-jazza (ingelesezko terminoa; hitzez hitz euskaraz, "jazz librea") jazz-estilo bat da, muga formalen mendekotasuna murrizten duena. Berrogeita hamarreko eta hirurogeiko hamarkadetan garatu zen. Estiloaren aitzindariak Ornette Coleman, Cecil Taylor, Albert Ayler, Archie Shepp, Bill Dixon eta Paul Bley musikariak izan ziren. Nahiz eta, agian, adibiderik ezagunenak John Coltraneren azken lanak izan.gunenak John Coltraneren azken lanak izan. , Η free jazz (φρι τζαζ) είναι προσέγγιση τη … Η free jazz (φρι τζαζ) είναι προσέγγιση της τζαζ, που εμφανίστηκε για πρώτη φορά στη δεκαετία του 1950 και του 1960 από μουσικούς που προσπάθησαν να αλλάξουν, να διευρύνουν ή να σπάσουν τη μουσική σύμβαση της τζαζ, συχνά με την απόρριψη της σταθερής εξέλιξης της συγχορδίας ή των παραδοσιακών ρυθμών τζαζ. Αν και η μουσική διαφορετικών συνθετών της τζαζ ποικίλλει, κοινό χαρακτηριστικό για την εξέλιξή της ήταν η δυσαρέσκεια για τους περιορισμούς της bebop, της hard bop και της που αναπτύχθηκε κατά τη δεκαετία του 1940 και του 1950. Συχνά περιγράφεται ως avant-garde, όπως επίσης και προσπάθεια να επιστρέψει η τζαζ στην πρωτόγονη μορφή της, συχνά με θρησκευτικές, ρίζες και έμφαση στον συλλογικό αυτοσχεδιασμό.ς και έμφαση στον συλλογικό αυτοσχεδιασμό. , Фри-джаз (англ. free jazz, букв. — «свобод … Фри-джаз (англ. free jazz, букв. — «свободный джаз») — стиль современной джазовой музыки, для которого характерен отход от принципов тональной организации музыкального материала, блюзовой последовательности аккордов, традиционной свинговой ритмики. Основной акцент делается на свободу импровизации (зачастую групповой), разнообразие выразительных средств, позволяющее максимально полно отразить интеллектуальную и чувственную составляющие музыки. Основу стиля заложили во второй половине 1950-х годов саксофонист Орнетт Коулмэн и пианист Сесил Тэйлор. Большое влияние на формирование фри-джаза оказали также поздние работы Джона Колтрейна, а в список основных «пионеров» стиля, помимо Коулмэна и Тэйлора, входят Сан Ра, Эрик Долфи, Альберт Эйлер, Арчи Шепп, Билл Диксон, Дон Черри, Фэроу Сэндерс, , ,Билл Диксон, Дон Черри, Фэроу Сэндерс, , ,
rdfs:label	Free jazz , 自由爵士乐 , フリー・ジャズ , Фри-джаз , Frijazz , Freejazz , Фрі-джаз , 프리 재즈 , Free Jazz , Free-jazz , Libera ĵazo , جاز حر

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