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The Federal Theatre Project (FTP; 1935–193 … The Federal Theatre Project (FTP; 1935–1939) was a theatre program established during the Great Depression as part of the New Deal to fund live artistic performances and entertainment programs in the United States. It was one of five Federal Project Number One projects sponsored by the Works Progress Administration, created not as a cultural activity but as a relief measure to employ artists, writers, directors, and theater workers. National director Hallie Flanagan shaped the FTP into a federation of regional theaters that created relevant art, encouraged experimentation in new forms and techniques, and made it possible for millions of Americans to see live theatre for the first time. As a drama professor at Vassar college, Hallie Flanagan was chosen to head the Federal Theatre Project. Although The Federal Theatre project consumed only 0.5% of the allocated budget from the WPA and was widely considered a commercial and critical success, the project became a source of heated political contention. Congress responded to accusations of racial integration and Communism infiltration and cancelled its funding as of June 30, 1939.cancelled its funding as of June 30, 1939.
, Федеральный театральный проект (англ. Fede … Федеральный театральный проект (англ. Federal Theatre Project, FTP или ФТП) — американская программа государственного финансирования театра, являвшаяся частью «Нового курса» Франклина Рузвельта; продолжалась с 1935 по 1939 год. Главой проекта, финансировавшегося Управлением общественных работ (WPA), являлась продюсер, театральный режиссёр и драматург (Hallie Flanagan). Проект входил в число пяти федеральных проектов, направленных на поддержку деятелей культуры (Federal Project Number One), и считался крупнейшим начинанием администрации Ф. Д. Рузвельта в области искусства. Его называли вторым (после СССР) по размеру и активности национально спонсируемым театром мира. В рамках данного театрального проекта, FTP, призванная обеспечить работой лишившихся её из-за экономического кризиса артистов, поощряла эксперименты в области новых театральных форм и техник; проект позволил миллионам американцев впервые в жизни увидеть живой театр. Цели программы состояли в том, чтобы вернуть безработных артистов на сцену (и создать новую театральную аудиторию), не подорвав при этом работу существующих театров. Программа соответственно концентрировалась на развитии театров вдали от привычных «театральных узлов» (Нью-Йорка, Чикаго и Лос-Анджелеса), а также таких жанрах и формах, которые не привлекали интереса коммерческих театров. Охват проекта включал детские театры, классический театр, театр на иностранных языках (немецкий, испанский, идиш), экспериментальный театр, политический театр, афроамериканский театр и «живые газеты», а также радиопостановки, танцы, конкурсы красоты и кукольные театры. Проект стал источником масштабных политических разногласий: Комиссия по расследованию антиамериканской деятельности заявила, что содержание постановок поддерживает «расовую интеграцию между черными и белыми американцами» — а сами постановки содержат антикапиталистическую (коммунистическую) пропаганду. Финансирование проекта было резко прекращено 30 июня 1939 года, оставив без работы 8 тысяч человек. Деятельность Федерального театрального проекта легла в основу художественного фильма Тима Роббинса «Колыбель будет качаться» (1999 год).инса «Колыбель будет качаться» (1999 год).
, 連邦劇場計画（れんぽうげきじょうけいかく、Federal Theatre Project、略称・FTP。フェデラル・シアター・プロジェクトとも訳される）はアメリカ合衆国の連邦政府が1930年代の大不況時に打ち出した芸術家支援・救済計画のひとつ。劇場での演劇・ダンス公演に出資して国民に安価な娯楽を提供し、あわせて世界恐慌下で職のない劇作家・俳優・スタッフの雇用を目的とした。
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Dooley Wilson in The Show-Off
, Salut au Monde was an original dance drama by Helen Tamiris for the Federal Dance Theatre, a division of the Federal Theatre Project
, Philip W. Barber, New York City director of the Federal Theatre Project, at the opening of Macbeth
, Canada Lee in a revival of four one-act plays of the sea by Eugene O'Neill
, The Man Who Knows All explains the kilowatt hour to the Consumer in the Living Newspaper play, Power
, Burt Lancaster and partner Nick Cravat with the Federal Theatre Circus
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The Federal Theatre Project (FTP; 1935–193 … The Federal Theatre Project (FTP; 1935–1939) was a theatre program established during the Great Depression as part of the New Deal to fund live artistic performances and entertainment programs in the United States. It was one of five Federal Project Number One projects sponsored by the Works Progress Administration, created not as a cultural activity but as a relief measure to employ artists, writers, directors, and theater workers. National director Hallie Flanagan shaped the FTP into a federation of regional theaters that created relevant art, encouraged experimentation in new forms and techniques, and made it possible for millions of Americans to see live theatre for the first time. As a drama professor at Vassar college, Hallie Flanagan was chosen to head the Federal Theatre Project. osen to head the Federal Theatre Project.
, Федеральный театральный проект (англ. Fede … Федеральный театральный проект (англ. Federal Theatre Project, FTP или ФТП) — американская программа государственного финансирования театра, являвшаяся частью «Нового курса» Франклина Рузвельта; продолжалась с 1935 по 1939 год. Главой проекта, финансировавшегося Управлением общественных работ (WPA), являлась продюсер, театральный режиссёр и драматург (Hallie Flanagan). Деятельность Федерального театрального проекта легла в основу художественного фильма Тима Роббинса «Колыбель будет качаться» (1999 год).инса «Колыбель будет качаться» (1999 год).
, 連邦劇場計画（れんぽうげきじょうけいかく、Federal Theatre Project、略称・FTP。フェデラル・シアター・プロジェクトとも訳される）はアメリカ合衆国の連邦政府が1930年代の大不況時に打ち出した芸術家支援・救済計画のひとつ。劇場での演劇・ダンス公演に出資して国民に安価な娯楽を提供し、あわせて世界恐慌下で職のない劇作家・俳優・スタッフの雇用を目的とした。
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連邦劇場計画
, Федеральный театральный проект
, Proyecto de Teatro Federal
, Federal Theatre Project
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