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Dolly Rudeman (Gustave Adolphine Wilhelmin … Dolly Rudeman (Gustave Adolphine Wilhelmina Rüdemann) (Salatiga, Java, Indonesië, 3 februari 1902 - 26 januari 1980) was een Nederlands grafisch ontwerpster, de enige vrouw in Nederland die filmaffiches ontwierp in de jaren twintig. Haar honderden ontwerpen vielen op door beweging en kleur. Rudeman kreeg in vakbladen veel aandacht, onder meer in 1932 in het kunsttijdschrift Wendingen. Het meeste van haar werk leek verloren te zijn gegaan, maar zo’n 120 affiches, uit de periode 1926 tot 1935, konden worden opgespoord. De Haagse krant Het Vaderland van 31 augustus 1926 schreef over haar eerste, expressieve affiche voor de beroemde Russische avant-gardefilm De pantserkruiser Potemkin van Sergei Eisenstein het volgende: Men zendt ons een affiche voor de hier ter stede ophanden zijn de vertooning van de veelbesproken Potemkin-film. Het affiche wijkt wel zeer af van de gewone filmposters. De ontwerper, D. Rudeman, teekende een kozak met een zijner slachtoffers aan zijn voeten en zette het geheel in fellen rooden en gelen gloed. De figuren zijn sterk opgezet en uit alles zien wij, dat hier een artist aan het woord is, bijna gelijkwaardig aan hen, die de film zelve in elkaar zetten. Zij ontwierp onder andere affiches voor films van Marlene Dietrich. Bekend zijn: Marokko (Morocco) (VS 1930; affichejaar: 1931) en Onteerd (Dishonored) (VS 1931; affichejaar: 1931; soms vermeld: 1932). Zij moest tijdens de Tweede Wereldoorlog twee maal haar Haagse woning verlaten om in Amsterdam te schuilen voor geallieerde bombardementen; in 1944 bleef zij in Amsterdam bij een nicht wonen, op Beethovenstraat 72, waar ze uiteindelijk stierf aan een longemfyseem. Het ReclameArsenaal bracht haar werk bijeen en bracht een boek uit over haar leven en werk met 90 affiches in full colour, geschreven door de filmaffichekenners Bastiaan Anink en Paul van Yperen.kenners Bastiaan Anink en Paul van Yperen.
, Dolly Rudeman (born Gustave Adolphine Wilh … Dolly Rudeman (born Gustave Adolphine Wilhelmina Rüdemann, 3 February 1902 – 26 January 1980) was a Dutch graphic designer who produced posters for some of the most famous directors and film stars of her day, including Sergei Eisenstein, Charlie Chaplin, and Greta Garbo. Born in the Dutch East Indies (now Indonesia) to Dutch parents, her father died before she was born and her mother took the family back to the Netherlands when Rudeman was in her teens. Rudeman studied art and drawing from an early age, and in the early 1930s embarked on a career in design. Concerned that there was little financial stability in art, she turned towards the medium of poster design. In the twenties, she was the only woman designing posters for the film industry, and was a prolific designer of posters and printed programs for the Netherlands Cinema Trust. Although work dried up during the Second World War—during which she aided Jews hiding from the occupying Nazis—she returned to poster design after the war. The 1950s have been termed her 'golden age', and during this decade she expanded into other forms of design such as for postcards, chocolate boxes, and ceramics. She never achieved the fame that she had before the war, however, and died in relative obscurity in Amsterdam in 1980.n relative obscurity in Amsterdam in 1980.
, Dolly Rudeman (née Gustave Adolphine Wilhe … Dolly Rudeman (née Gustave Adolphine Wilhelmina Rüdemann, née le 3 février 1902 et morte le 26 janvier 1980, est une graphiste, affichiste, décoratrice et autrice pour enfants néerlandaise principalement connue pour avoir réalisé des affiches pour quelques-uns des plus célèbres réalisateurs de son temps, dont Sergueï Eisenstein et Charlie Chaplin, ainsi que pour des acteurs et actrices comme Greta Garbo et Marlene Dietrich. Dans les années 1920, elle est la seule femme aux Pays-Bas à concevoir des affiches de films ainsi que les programmes pour la Compagnie du Cinéma Néerlandaise. pour la Compagnie du Cinéma Néerlandaise.
, Dolly Rüdeman, auch Dolly Rudeman, (* am 3 … Dolly Rüdeman, auch Dolly Rudeman, (* am 3. Februar 1902 in Salatiga, Java, Niederländisch-Indien; † am 26. Januar 1980 in Amsterdam; vollständiger Name: Gustave Adolphine Wilhelmina Rüdeman) war eine niederländische Grafikerin, Plakatkünstlerin, Illustratorin und Autorin von Kinderbüchern. In den 1920er Jahren war sie die einzige Frau, die in den Niederlanden Filmplakate entwarf. Ihr wird ein bedeutender Anteil an der Entwicklung der niederländischen Plakatkunst zugeschrieben.iederländischen Plakatkunst zugeschrieben.
, Dolly Rudeman (terlahir Gustave Adolphine … Dolly Rudeman (terlahir Gustave Adolphine Wilhelmina Rüdemann; 3 Februari 1902 – 26 Januari 1980) adalah seorang desainer grafis Belanda, satu-satunya wanita Belanda yang merancang poster film pada tahun 1920-an. Ratusan karyanya banyak menggambarkan gerakan dan warna. Rudeman menyita banyak perhatian jurnal ilmiah, antara lain di majalah seni pada tahun 1932. Sebagian besar karyanya sepertinya sudah hilang, namun sekitar 120 buah, yang berasal dari tahun-tahun 1926-1935, dapat ditemukan. Koran Den Haag Het Vaderland bertanggal 31 Agustus 1926 menulis tentang poster pertamanya yang ekspresif untuk film avant-garde Rusia Potemkin karya Sergei Eisenstein: ReclameArsenaal membawa karya-karyanya bersama dan menerbitkan biografi dan karyanya yang lebih dari 90 poster full color cerah. Semuanya ditulis oleh ahli poster film Bastiaan Anink dan Paul van Yperen.r film Bastiaan Anink dan Paul van Yperen.
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The flirtation between advertising and art … The flirtation between advertising and art, which began so promisingly, did not end up in marriage. The expectations of the partners were too different. In the course of the 20th century, advertisers acted decreasingly as patrons of the arts and focused increasingly on ensuring that the artist's advertising work contributed to additional turnover.g work contributed to additional turnover.
, Amidst flaming red and yellow a Russian so … Amidst flaming red and yellow a Russian soldier crushes a naked man beneath his boots. A bayonet is fixed threateningly to his rifle. His victim helplessly clenches his fists. The Cossack appears indifferent. With his shiny boots and his rifle, he personifies the cruelty of the Tsarist regime and his bloody victim symbolises the Russian people. The soldier is drawn with beautiful, angular lines. The design is full of expression and executed in bright colours. This austere, stirring image bears a single word, The Battleship Potemkin. For the Dutch public in 1926 that was more than enough. public in 1926 that was more than enough.
, Not so long ago, our stations, meadows and … Not so long ago, our stations, meadows and open wall surfaces were disflgured with ugly, tasteless advertisements. Luckily there has been a change. On all sides, people now realise the immense value of an attractive advertising poster, of a poster that is clear and speaks to the public in good colours, focusing the attention on what it was drawn for.ng the attention on what it was drawn for.
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Het Vaderland
, Bastiaan Anink and Paul van Yperen, 2005, on Rudeman's Battleship Potemkin.
, Wilbert Schreurs on the decline in Rudeman's career, 1989
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Dolly Rudeman (born Gustave Adolphine Wilh … Dolly Rudeman (born Gustave Adolphine Wilhelmina Rüdemann, 3 February 1902 – 26 January 1980) was a Dutch graphic designer who produced posters for some of the most famous directors and film stars of her day, including Sergei Eisenstein, Charlie Chaplin, and Greta Garbo.enstein, Charlie Chaplin, and Greta Garbo.
, Dolly Rudeman (Gustave Adolphine Wilhelmin … Dolly Rudeman (Gustave Adolphine Wilhelmina Rüdemann) (Salatiga, Java, Indonesië, 3 februari 1902 - 26 januari 1980) was een Nederlands grafisch ontwerpster, de enige vrouw in Nederland die filmaffiches ontwierp in de jaren twintig. Haar honderden ontwerpen vielen op door beweging en kleur. Rudeman kreeg in vakbladen veel aandacht, onder meer in 1932 in het kunsttijdschrift Wendingen. Het meeste van haar werk leek verloren te zijn gegaan, maar zo’n 120 affiches, uit de periode 1926 tot 1935, konden worden opgespoord.e 1926 tot 1935, konden worden opgespoord.
, Dolly Rudeman (terlahir Gustave Adolphine … Dolly Rudeman (terlahir Gustave Adolphine Wilhelmina Rüdemann; 3 Februari 1902 – 26 Januari 1980) adalah seorang desainer grafis Belanda, satu-satunya wanita Belanda yang merancang poster film pada tahun 1920-an. Ratusan karyanya banyak menggambarkan gerakan dan warna. Rudeman menyita banyak perhatian jurnal ilmiah, antara lain di majalah seni pada tahun 1932. Sebagian besar karyanya sepertinya sudah hilang, namun sekitar 120 buah, yang berasal dari tahun-tahun 1926-1935, dapat ditemukan.ri tahun-tahun 1926-1935, dapat ditemukan.
, Dolly Rüdeman, auch Dolly Rudeman, (* am 3 … Dolly Rüdeman, auch Dolly Rudeman, (* am 3. Februar 1902 in Salatiga, Java, Niederländisch-Indien; † am 26. Januar 1980 in Amsterdam; vollständiger Name: Gustave Adolphine Wilhelmina Rüdeman) war eine niederländische Grafikerin, Plakatkünstlerin, Illustratorin und Autorin von Kinderbüchern. In den 1920er Jahren war sie die einzige Frau, die in den Niederlanden Filmplakate entwarf. Ihr wird ein bedeutender Anteil an der Entwicklung der niederländischen Plakatkunst zugeschrieben.iederländischen Plakatkunst zugeschrieben.
, Dolly Rudeman (née Gustave Adolphine Wilhe … Dolly Rudeman (née Gustave Adolphine Wilhelmina Rüdemann, née le 3 février 1902 et morte le 26 janvier 1980, est une graphiste, affichiste, décoratrice et autrice pour enfants néerlandaise principalement connue pour avoir réalisé des affiches pour quelques-uns des plus célèbres réalisateurs de son temps, dont Sergueï Eisenstein et Charlie Chaplin, ainsi que pour des acteurs et actrices comme Greta Garbo et Marlene Dietrich. Dans les années 1920, elle est la seule femme aux Pays-Bas à concevoir des affiches de films ainsi que les programmes pour la Compagnie du Cinéma Néerlandaise. pour la Compagnie du Cinéma Néerlandaise.
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Dolly Rudeman
, Dolly Rüdeman
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