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D. I. Go Pop ist das zweite Studioalbum von Disco Inferno. Es wurde 1994 auf Rough Trade Records in Großbritannien und Bar/None Records in den USA veröffentlicht.
, D. I. Go Pop is the second studio album by … D. I. Go Pop is the second studio album by English post-rock band Disco Inferno, released on 28 February 1994. After forming as a post-punk band in 1989, the band subsequently worked towards an innovative production approach that incorporated found sound elements through extensive use of digital samplers. The band released several critically acclaimed EPs in this vein from 1992–93, and recorded D. I. Go Pop concurrently with some of those preceding EPs, working with producer Charlie McIntosh. The album cover, designed by Fuel and featuring photography by David Spero, has been described as "one of the most indelible album cover images in the '90s." The album was released by Rough Trade Records in the United Kingdom and by Bar/None Records in the United States. It did not chart and was mostly overlooked on release, bar some positive reviews. However, it has since gone on to be considered an innovative and influential album and a key release in the history of post-rock. Numerous bands have cited it as an influence. It has been featured in several lists of the greatest albums of the 1990s and of all time. The album was remastered and re-released by One Little Indian Records in March 2004, bringing the album renewed attention from both critics and music buyers.ention from both critics and music buyers.
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"So the church bells and whistles and sea … "So the church bells and whistles and sea crashes continue to act twenty years later, but the whole thing still feels, even now, at once unstable and carefully balanced, the bones of the songs never totally broken but never allowed to slip by without something profound being done to them. An urban sound with seaside and seasonal reveries that aren't quite that, a burst of activity that could also be a last gasp. And still so angry, so pitiless yet so heartfelt, the kind of thing that stays in your head when all the rah-rah charge of the immediate and clunky becomes camp rote."e immediate and clunky becomes camp rote."
, "The story of Disco Inferno is and remains … "The story of Disco Inferno is and remains that of focused intelligence, a desire not to simply repeat, a belief that ‘pop’ is eternally mutable and can mean whatever it wants, or what its creators want. [D. I. Go Pop is] short like many a great pop collection, barely cresting half an hour, it wastes no breath. It’s a classic three piece rock band not wanting to sound like one when they didn’t have to, because the technological tools were to hand."use the technological tools were to hand."
, "At a time when Beatles worship and consensus-forming was usurping UK rock's post-Acid House surge of creativity, Disco Inferno understood that technology needn't be the enemy of guitar-rock and that songcraft and progression aren't oppositional forces."
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—Scott Plagenhoef of Pitchfork
, —Ned Raggett referring on the continuing impact of D. I. Go Pop in 2014.
, —Ned Raggett referring to the album in 2014.
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D. I. Go Pop ist das zweite Studioalbum von Disco Inferno. Es wurde 1994 auf Rough Trade Records in Großbritannien und Bar/None Records in den USA veröffentlicht.
, D. I. Go Pop is the second studio album by … D. I. Go Pop is the second studio album by English post-rock band Disco Inferno, released on 28 February 1994. After forming as a post-punk band in 1989, the band subsequently worked towards an innovative production approach that incorporated found sound elements through extensive use of digital samplers. The band released several critically acclaimed EPs in this vein from 1992–93, and recorded D. I. Go Pop concurrently with some of those preceding EPs, working with producer Charlie McIntosh. The album cover, designed by Fuel and featuring photography by David Spero, has been described as "one of the most indelible album cover images in the '90s."indelible album cover images in the '90s."
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D. I. Go Pop
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