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Constance Stokes, née Parkin, le 22 févrie … Constance Stokes, née Parkin, le 22 février 1906 dans le hameau de Miram, près de Nhill dans l'ouest de l'État de Victoria, et morte le 14 juillet 1991 à Melbourne, est une peintre australienne moderniste qui travaille dans son État de naissance. Elle suit une formation à l'école d'art de la National Gallery of Victoria jusqu'en 1929 et obtient une bourse pour poursuivre ses études à la Royal Academy of Arts de Londres. Bien que Constance Stokes ait peint peu d'œuvres dans les années 1930, ses peintures et ses dessins sont exposés à partir des années 1940. Elle est l'une des deux seules femmes, et deux victoriennes, à faire partie d'une importante exposition de douze artistes australiens qui voyage au Canada, au Royaume-Uni et en Italie au début des années 1950. Influencée par George Bell, Constance Stokes fait partie du Melbourne Contemporary Artists, un groupe créé par Bell en 1940. Ses œuvres continuent à être bien considérées pendant de nombreuses années après la formation du groupe, contrairement à celles de nombre de ses collègues modernistes de l'époque victorienne, avec des critiques favorables de la part de critiques tels que Sir Philip Hendy au Royaume-Uni et (en) en Australie. Le décès prématuré de son mari en 1962 contraint Constance Stokes à reprendre sa carrière de peintre, ce qui donne lieu à une exposition individuelle réussie en 1964, sa première en trente ans. Elle continue à peindre et à exposer tout au long des années 1970 et 1980, et fait l'objet d'une rétrospective qui fait le tour des galeries régionales de l'époque victorienne, notamment la (en) et la Geelong Art Gallery en 1985. Elle meurt en 1991 et est peu connue en comparaison avec d'autres femmes artistes, dont Grace Cossington Smith et Clarice Beckett, mais sa fortune reprend un peu de vigueur en tant que figure centrale dans le livre d'Anne Summers, The Lost Mother, publié en 2009. Son art est représenté dans la plupart des grandes galeries australiennes, notamment la Galerie nationale d'Australie et la National Gallery of Victoria ; la Galerie d'art de Nouvelle-Galles du Sud est la seule institution australienne importante de collection à ne pas détenir une de ses œuvres.ection à ne pas détenir une de ses œuvres.
, 康斯坦斯·斯托克斯（英語：Constance Stokes，1906年2月22日－1 … 康斯坦斯·斯托克斯（英語：Constance Stokes，1906年2月22日－1991年7月14日），原姓帕金（Parkin），是一位曾工作于维多利亚的澳大利亚现代主义画家。1929年前，她一直在接受培训，并于获得奖学金后前往伦敦皇家艺术研究院学习。虽然斯托克斯在20世纪30年代的创作很少，但她的作品从20世纪40年代就开始展出。20世纪50年代初，12位澳大利亚艺术家前往加拿大、英国和意大利参加了大型展览，康斯坦斯就是其中两位维多利亚女性之一。 受乔治·贝尔的影响，斯托克斯成为了墨尔本当代艺术家团体的一员，该协会由贝尔于1940年成立。她的作品自该协会成立起就持续受到赞誉，这与她那些维多利亚现代主义画家形成了鲜明对比。英国的爵士和澳大利亚的等评论家也曾对她的作品给予过好评。 1962年，丈夫的英年早逝迫使斯托克斯重返画界，并于1964年成功举办了个人画展，这也是她30年来的首次个展。在20世纪70年代和80年代期间，她持续创作并举办展览。1985年，她参加了维多利亚地区艺术馆的回顾展，包括和。斯托克斯于1991年去世，虽然与和克拉丽斯·贝克特等其他女性艺术家相比并不出名,但她还是作为人物原型出现在于2009年发表的《迷失的母亲》一书中。她的作品在澳大利亚大部分主要画廊展出，包括澳洲国立美术馆和维多利亚国立美术馆，只有新南威尔士美术馆是澳大利亚唯一一家未收藏其作品的机构。术馆和维多利亚国立美术馆，只有新南威尔士美术馆是澳大利亚唯一一家未收藏其作品的机构。
, Constance Stokes (Parkin, 22 de febrero de … Constance Stokes (Parkin, 22 de febrero de 1906 – 14 de julio de 1991) fue una pintora modernista australiana que trabajó en Victoria. Estudió en la l hasta 1929, ganando una beca para continuar sus estudios en la Real Academia de Artes de Londres. A pesar de que Stokes pintó pocos trabajos en los años 30, sus pinturas y los dibujos estuvieron exhibidos de los años 40 en adelante. Fue una de las únicas dos mujeres, y dos Victorians, incluidos en la mayor exposición de doce artistas australianos que viajaron a Canadá, Reino Unido e Italia a principios de los años 50. Influida por George Bell, Stokes era parte de los Artistas Contemporáneos de Melbourne, un grupo en el que Bell se estableció en 1940. Sus trabajos continuaron por ser bien-considerados muchos años después de la formación del grupo, en contraste con muchos de sus colegas modernistas victorianos, con revisiones favorables de críticos como Sir Philip Hendy en Reino Unido y Bernard William Smith en Australia. La muerte temprana de su marido en 1962 forzó a Stokes a retomar su carrera como pintora, resultando en un exitoso espectáculo en 1964, su primero en treinta años. Continuó pintando y exponiendo a través de las décadas de los 70 y 80, y era el tema de una exposición retrospectiva que visitó las galerías regionales victorianas incluyendo Swan Hill Regional Art Gallery y Geelong Art Gallery en 1985. Murió en 1991 y es poco-conocida en comparación con algunas otras mujeres artistas que incluyen a Grace Cossington Smith y Clarice Beckett, pero sus fortunas estuvieron revividas como figura central en el libro de 2009 de Anne Summers, La Madre Perdida. Su arte está representado en las más importantes galerías australianas, incluyendo la National Gallery of Australia y la National Gallery of Victoria; la Art Gallery of New South Wales es la única institución significativa de coleccionismo australiana que no mantiene ninguno de sus trabajos.a que no mantiene ninguno de sus trabajos.
, Constance Stokes, (Miram, 22 de fevereiro … Constance Stokes, (Miram, 22 de fevereiro de 1906 – Melbourne, 14 de julho de 1991) foi uma pintora australiana modernista que trabalhou em Vitória. Ela treinou na até 1929, ganhando uma bolsa para continuar seus estudos na Academia Real Inglesa em Londres. Embora Stokes tenha pintado poucas obras na década de 1930, suas pinturas e desenhos foram exibidos a partir da década de 1940 em diante. Era uma das duas únicas mulheres e dois vitorianos, incluída em uma grande exposição de doze artistas australianos que viajaram para o Canadá, Reino Unido e Itália no início dos anos 1950. Influenciada por , Stokes fazia parte do Melbourne Contemporary Artists, um grupo criado por Bell em 1940. Seus trabalhos continuaram a ser bem vistos por muitos anos após a formação do grupo, em contraste com os de muitos de seus colegas modernistas vitorianos, com críticas favoráveis de críticos como Sir , no Reino Unido, e , na Austrália. A morte prematura de seu marido em 1962 forçou Stokes a voltar à pintura como carreira, resultando em um show de uma mulher bem-sucedida em 1964, a primeira em trinta anos. Ela continuou pintando e exibindo nas décadas de 1970 e 1980, e foi objeto de uma exposição retrospectiva que visitou galerias regionais vitorianas, incluindo a Galeria de Arte Regional Swan Hill e a Galeria de Arte Geelong em 1985. Ela morreu em 1991 e é pouco conhecida em comparação com outras artistas mulheres, incluindo Grace Cossington Smith e , mas sua sorte foi revivida como figura central no livro de , 2009, The Lost Mother. Sua arte é representada na maioria das grandes galerias australianas, incluindo a Galeria Nacional da Austrália e a Galeria Nacional de Vitória. A Galeria de Arte de Nova Gales do Sul é a única instituição colecionadora australiana importante a não possuir um de seus trabalhos.rtante a não possuir um de seus trabalhos.
, Constance Stokes (née Parkin, 22 February … Constance Stokes (née Parkin, 22 February 1906 – 14 July 1991) was an Australian modernist painter who worked in Victoria. She trained at the National Gallery of Victoria Art School until 1929, winning a scholarship to continue her study at London's Royal Academy of Arts. Although Stokes painted few works in the 1930s, her paintings and drawings were exhibited from the 1940s onwards. She was one of only two women, and two Victorians, included in a major exhibition of twelve Australian artists that travelled to Canada, the United Kingdom and Italy in the early 1950s. Influenced by George Bell, Stokes was part of the Melbourne Contemporary Artists, a group Bell established in 1940. Her works continued to be well-regarded for many years after the group's formation, in contrast to those by many of her Victorian modernist colleagues, with favourable reviews from critics such as Sir Philip Hendy in the United Kingdom and Bernard William Smith in Australia. Her husband's early death in 1962 forced Stokes to return to painting as a career, resulting in a successful one-woman show in 1964, her first in thirty years. She continued to paint and exhibit through the 1970s and 1980s, and was the subject of a retrospective exhibition that toured Victorian regional galleries including Swan Hill Regional Art Gallery and Geelong Art Gallery in 1985. She died in 1991 and is little-known in comparison to some other women artists including Grace Cossington Smith and Clarice Beckett, but her fortunes were revived somewhat as a central figure in Anne Summers' 2009 book The Lost Mother. Her art is represented in most major Australian galleries, including the National Gallery of Australia and the National Gallery of Victoria; the Art Gallery of New South Wales is the only significant Australian collecting institution not to hold one of her works. institution not to hold one of her works.
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Constance Stokes (Parkin, 22 de febrero de … Constance Stokes (Parkin, 22 de febrero de 1906 – 14 de julio de 1991) fue una pintora modernista australiana que trabajó en Victoria. Estudió en la l hasta 1929, ganando una beca para continuar sus estudios en la Real Academia de Artes de Londres. A pesar de que Stokes pintó pocos trabajos en los años 30, sus pinturas y los dibujos estuvieron exhibidos de los años 40 en adelante. Fue una de las únicas dos mujeres, y dos Victorians, incluidos en la mayor exposición de doce artistas australianos que viajaron a Canadá, Reino Unido e Italia a principios de los años 50.nido e Italia a principios de los años 50.
, 康斯坦斯·斯托克斯（英語：Constance Stokes，1906年2月22日－1 … 康斯坦斯·斯托克斯（英語：Constance Stokes，1906年2月22日－1991年7月14日），原姓帕金（Parkin），是一位曾工作于维多利亚的澳大利亚现代主义画家。1929年前，她一直在接受培训，并于获得奖学金后前往伦敦皇家艺术研究院学习。虽然斯托克斯在20世纪30年代的创作很少，但她的作品从20世纪40年代就开始展出。20世纪50年代初，12位澳大利亚艺术家前往加拿大、英国和意大利参加了大型展览，康斯坦斯就是其中两位维多利亚女性之一。 受乔治·贝尔的影响，斯托克斯成为了墨尔本当代艺术家团体的一员，该协会由贝尔于1940年成立。她的作品自该协会成立起就持续受到赞誉，这与她那些维多利亚现代主义画家形成了鲜明对比。英国的爵士和澳大利亚的等评论家也曾对她的作品给予过好评。 1962年，丈夫的英年早逝迫使斯托克斯重返画界，并于1964年成功举办了个人画展，这也是她30年来的首次个展。在20世纪70年代和80年代期间，她持续创作并举办展览。1985年，她参加了维多利亚地区艺术馆的回顾展，包括和。斯托克斯于1991年去世，虽然与和克拉丽斯·贝克特等其他女性艺术家相比并不出名,但她还是作为人物原型出现在于2009年发表的《迷失的母亲》一书中。她的作品在澳大利亚大部分主要画廊展出，包括澳洲国立美术馆和维多利亚国立美术馆，只有新南威尔士美术馆是澳大利亚唯一一家未收藏其作品的机构。术馆和维多利亚国立美术馆，只有新南威尔士美术馆是澳大利亚唯一一家未收藏其作品的机构。
, Constance Stokes, née Parkin, le 22 févrie … Constance Stokes, née Parkin, le 22 février 1906 dans le hameau de Miram, près de Nhill dans l'ouest de l'État de Victoria, et morte le 14 juillet 1991 à Melbourne, est une peintre australienne moderniste qui travaille dans son État de naissance. Elle suit une formation à l'école d'art de la National Gallery of Victoria jusqu'en 1929 et obtient une bourse pour poursuivre ses études à la Royal Academy of Arts de Londres. Bien que Constance Stokes ait peint peu d'œuvres dans les années 1930, ses peintures et ses dessins sont exposés à partir des années 1940. Elle est l'une des deux seules femmes, et deux victoriennes, à faire partie d'une importante exposition de douze artistes australiens qui voyage au Canada, au Royaume-Uni et en Italie au début des années 1950.Uni et en Italie au début des années 1950.
, Constance Stokes (née Parkin, 22 February … Constance Stokes (née Parkin, 22 February 1906 – 14 July 1991) was an Australian modernist painter who worked in Victoria. She trained at the National Gallery of Victoria Art School until 1929, winning a scholarship to continue her study at London's Royal Academy of Arts. Although Stokes painted few works in the 1930s, her paintings and drawings were exhibited from the 1940s onwards. She was one of only two women, and two Victorians, included in a major exhibition of twelve Australian artists that travelled to Canada, the United Kingdom and Italy in the early 1950s.ited Kingdom and Italy in the early 1950s.
, Constance Stokes, (Miram, 22 de fevereiro … Constance Stokes, (Miram, 22 de fevereiro de 1906 – Melbourne, 14 de julho de 1991) foi uma pintora australiana modernista que trabalhou em Vitória. Ela treinou na até 1929, ganhando uma bolsa para continuar seus estudos na Academia Real Inglesa em Londres. Embora Stokes tenha pintado poucas obras na década de 1930, suas pinturas e desenhos foram exibidos a partir da década de 1940 em diante. Era uma das duas únicas mulheres e dois vitorianos, incluída em uma grande exposição de doze artistas australianos que viajaram para o Canadá, Reino Unido e Itália no início dos anos 1950.no Unido e Itália no início dos anos 1950.
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Constance Stokes
, 康斯坦斯·斯托克斯
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