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African American cinema evolved at just ab … African American cinema evolved at just about the same pace as white cinema, and although the role of Black women in early silent film has only recently begun to receive popular and academic attention, Black women were involved in Black cinema from the very start of U.S. film history. In their own day, Maria P. Williams was called the first Black woman filmmaker for her work on The Flames of Wrath (1923) and Tressie Souders was also honored with the same distinction for her work in A Woman’s Error (1922). Others have argued that that distinction belongs to Madame E. Toussaint Welcome's war documentary Doing Their Bit (1916) or Eloyce King Patrick Gist for Hell Bound Train (ca. 1929-30). What's certain is that Black women were contributing as screenwriters, actors, directors and producers from the earliest days of film. producers from the earliest days of film.
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African American cinema evolved at just ab … African American cinema evolved at just about the same pace as white cinema, and although the role of Black women in early silent film has only recently begun to receive popular and academic attention, Black women were involved in Black cinema from the very start of U.S. film history. In their own day, Maria P. Williams was called the first Black woman filmmaker for her work on The Flames of Wrath (1923) and Tressie Souders was also honored with the same distinction for her work in A Woman’s Error (1922). Others have argued that that distinction belongs to Madame E. Toussaint Welcome's war documentary Doing Their Bit (1916) or Eloyce King Patrick Gist for Hell Bound Train (ca. 1929-30). What's certain is that Black women were contributing as screenwriters, actors, directors and producers fwriters, actors, directors and producers f
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Black women film pioneers
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