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La Basse-taille è una tecnica di produzion … La Basse-taille è una tecnica di produzione dello smalto vitreo con la quale l'artista crea un motivo a bassorilievo su metallo, di solito argento o oro, con incisione o a sbalzo. L'intero disegno è creato in modo tale che il suo punto più alto sia inferiore al metallo circostante. Viene quindi applicato al metallo uno smalto traslucido, permettendo alla luce di riflettere il rilievo creando un effetto artistico. Fu usato nel Basso Medioevo, e poi di nuovo nel XVII secolo. Medioevo, e poi di nuovo nel XVII secolo.
, Modh chun airgead, agus uaireanta ór, a ch … Modh chun airgead, agus uaireanta ór, a chruanadh. Ar dtús snoítear is greantar an miotal, agus ansin cuirtear cruan daite tréshoilseach ar a bharr ionas gur féidir le solas lonrú tríd. Meastar gur tugadh an ealaín seo isteach ag deireadh an 13ú céad i bPáras. isteach ag deireadh an 13ú céad i bPáras.
, Basse-taille (bahss-tah-ee) is an enamelli … Basse-taille (bahss-tah-ee) is an enamelling technique in which the artist creates a low-relief pattern in metal, usually silver or gold, by engraving or chasing. The entire pattern is created in such a way that its highest point is lower than the surrounding metal. A translucent enamel is then applied to the metal, allowing light to reflect from the relief and creating an artistic effect. It was used in the late Middle Ages, and then again in the 17th century. Ages, and then again in the 17th century.
, 鏨胎琺琅，又稱內填琺琅，金屬胎琺琅工藝的一種，即利用鏨刻技法加工金屬胎體、然後再施琺琅釉，在中國較為罕見。 鏨胎琺琅製法與掐絲琺琅相似：先在已經基本成型的金屬胎上按照圖案設計要求描繪紋樣輪廓線，然後運用鏨刻、敲壓或腐蝕等技法在紋樣輪廓線以外的空白處進行雕鏨減地，使紋樣中心下陷、輪廓凸出，再於下凹處點施琺琅，最後經焙燒、磨光、點金而成。 因為鏨刻形成的紋飾下陷深淺不一，所以填燒的釉層厚薄不同，呈多種形態
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La Basse-taille è una tecnica di produzion … La Basse-taille è una tecnica di produzione dello smalto vitreo con la quale l'artista crea un motivo a bassorilievo su metallo, di solito argento o oro, con incisione o a sbalzo. L'intero disegno è creato in modo tale che il suo punto più alto sia inferiore al metallo circostante. Viene quindi applicato al metallo uno smalto traslucido, permettendo alla luce di riflettere il rilievo creando un effetto artistico. Fu usato nel Basso Medioevo, e poi di nuovo nel XVII secolo. Medioevo, e poi di nuovo nel XVII secolo.
, Modh chun airgead, agus uaireanta ór, a ch … Modh chun airgead, agus uaireanta ór, a chruanadh. Ar dtús snoítear is greantar an miotal, agus ansin cuirtear cruan daite tréshoilseach ar a bharr ionas gur féidir le solas lonrú tríd. Meastar gur tugadh an ealaín seo isteach ag deireadh an 13ú céad i bPáras. isteach ag deireadh an 13ú céad i bPáras.
, Basse-taille (bahss-tah-ee) is an enamelli … Basse-taille (bahss-tah-ee) is an enamelling technique in which the artist creates a low-relief pattern in metal, usually silver or gold, by engraving or chasing. The entire pattern is created in such a way that its highest point is lower than the surrounding metal. A translucent enamel is then applied to the metal, allowing light to reflect from the relief and creating an artistic effect. It was used in the late Middle Ages, and then again in the 17th century. Ages, and then again in the 17th century.
, 鏨胎琺琅，又稱內填琺琅，金屬胎琺琅工藝的一種，即利用鏨刻技法加工金屬胎體、然後再施琺琅釉，在中國較為罕見。 鏨胎琺琅製法與掐絲琺琅相似：先在已經基本成型的金屬胎上按照圖案設計要求描繪紋樣輪廓線，然後運用鏨刻、敲壓或腐蝕等技法在紋樣輪廓線以外的空白處進行雕鏨減地，使紋樣中心下陷、輪廓凸出，再於下凹處點施琺琅，最後經焙燒、磨光、點金而成。 因為鏨刻形成的紋飾下陷深淺不一，所以填燒的釉層厚薄不同，呈多種形態
|
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Basse-taille
, 鏨胎琺琅
, Basse taille
|
