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Barry Truax è un compositore canadese. È s … Barry Truax è un compositore canadese. È specializzato nell'implementazione in tempo reale della sintesi granulare di suoni campionati, e nei paesaggi sonori (soundscape). Nel 1986 ha sviluppato l'utilizzo della sintesi granulare in tempo reale, è stato il primo a utilizzare un campionamento come fonte di una composizione granulare in Wings of Nike (1987), ed è stato il primo compositore a esplorare il range tra la sintesi granulare sincrona e asincrona in Riverrun (1986). Truax insegna musica elettronica, computer music e comunicazione acustica alla Simon Fraser University di Vancouver. È stato uno dei membri del . Tra i suoi studenti vi è stato .bri del . Tra i suoi studenti vi è stato .
, Barry Truax (born 1947) is a Canadian comp … Barry Truax (born 1947) is a Canadian composer who specializes in real-time implementations of granular synthesis, often of sampled sounds, and soundscapes. He is credited with developing the first ever implementation of real-time granular synthesis in 1986, with being the first composer to explore the range between synchronic and asynchronic granular synthesis in Riverrun (1986), and being the first to use a sample as the source of a granular composition in Wings of Nike (1987). Truax is Professor Emeritus of Simon Fraser University, where he taught both electroacoustic music and acoustic communication. He was one of the original members of the World Soundscape Project.l members of the World Soundscape Project.
, Barry Truax (1947) es un compositor canadi … Barry Truax (1947) es un compositor canadiense especializado en las implementaciones en tiempo real de la síntesis granular, a menudo de sonidos grabados y paisajes sonoros. En 1986 desarrolló la primera implementación en tiempo real de la síntesis granular. Hizo la primera obra hecha con síntesis granular hecha con base en sonidos pregrabados, Wings of Nike en 1987 y fue el primer compositor en explorar el área entre la síntesis granular sincrónica y asincrónica en Riverrun, de 1986. La técnica en tiempo real sigue o enfatiza en las corrientes auditorías, que junto con los paisajes sonoros forman parte importante de su estética.Truax enseña música electroacústica, música por computador y comunicación acústica en la Universidad Simon Fraser en Canadá. Fue uno de los miembros fundadores junto con del World Soundscape Project.s junto con del World Soundscape Project.
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Barry Truax (1947) es un compositor canadi … Barry Truax (1947) es un compositor canadiense especializado en las implementaciones en tiempo real de la síntesis granular, a menudo de sonidos grabados y paisajes sonoros. En 1986 desarrolló la primera implementación en tiempo real de la síntesis granular. Hizo la primera obra hecha con síntesis granular hecha con base en sonidos pregrabados, Wings of Nike en 1987 y fue el primer compositor en explorar el área entre la síntesis granular sincrónica y asincrónica en Riverrun, de 1986. La técnica en tiempo real sigue o enfatiza en las corrientes auditorías, que junto con los paisajes sonoros forman parte importante de su estética.Truax enseña música electroacústica, música por computador y comunicación acústica en la Universidad Simon Fraser en Canadá. Fue uno de los miembros fundadores jundá. Fue uno de los miembros fundadores jun
, Barry Truax è un compositore canadese. È s … Barry Truax è un compositore canadese. È specializzato nell'implementazione in tempo reale della sintesi granulare di suoni campionati, e nei paesaggi sonori (soundscape). Nel 1986 ha sviluppato l'utilizzo della sintesi granulare in tempo reale, è stato il primo a utilizzare un campionamento come fonte di una composizione granulare in Wings of Nike (1987), ed è stato il primo compositore a esplorare il range tra la sintesi granulare sincrona e asincrona in Riverrun (1986).e sincrona e asincrona in Riverrun (1986).
, Barry Truax (born 1947) is a Canadian comp … Barry Truax (born 1947) is a Canadian composer who specializes in real-time implementations of granular synthesis, often of sampled sounds, and soundscapes. He is credited with developing the first ever implementation of real-time granular synthesis in 1986, with being the first composer to explore the range between synchronic and asynchronic granular synthesis in Riverrun (1986), and being the first to use a sample as the source of a granular composition in Wings of Nike (1987).nular composition in Wings of Nike (1987).
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Barry Truax
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