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Badal Sircar, ankaŭ konata kiel Badal Sark … Badal Sircar, ankaŭ konata kiel Badal Sarkar, (naskita la 15-an de julio 1925 – mortis la 13-an de majo 2011), estas internacie fama bengala dramaturgo. Li estas konata kiel la ĉefrolulo de teatroĝenro nomata la Tria Teatro, ankaŭ konata kiel Bhuma Teatro. Li partoprenis en la restarigo kaj disvastigo de surstrata teatro ("Nectar Natak") en Bengalio en la 1970-aj jaroj, dum la tempo de la naksalitoj, kiam li popularigis teatraĵojn ekster la scenejo al ordinaraj homoj. En tiu tempo li famiĝis pro la verkado de teatraĵoj kiuj kontraŭstaris la tiaman baratan registaron kiu siavice kontraŭbatalis la naksalitan movadon. Kiel moderna dramaturgo en Barato, la nomo de Badal Sarkar estas menciita en Bengalio kune kun , , kaj Girish Karnad. Lia altiĝo kiel eminenta dramaturgo en la 1960-aj jaroj estas vidata kiel la alveno de epoko de moderna barata dramaturgio en la bengala. moderna barata dramaturgio en la bengala.
, Badal Sircar (15 July 1925 – 13 May 2011), … Badal Sircar (15 July 1925 – 13 May 2011), also known as Badal Sarkar, was an influential Indian dramatist and theatre director, most known for his anti-establishment plays during the Naxalite movement in the 1970s and taking theatre out of the proscenium and into public arena, when he transformed his own theatre company, Shatabdi (established in 1967 for proscenium theatre ) as a third theatre group . He wrote more than fifty plays of which , Basi Khabar, and Saari Raat are well known literary pieces. A pioneering figure in street theatre as well as in experimental and contemporary Bengali theatre with his egalitarian "Third Theatre", he prolifically wrote scripts for his Aanganmanch (courtyard stage) performances, and remains one of the most translated Indian playwrights. Though his early comedies were popular, it was his angst-ridden Evam Indrajit (And Indrajit) that became a landmark play in Indian theatre. Today, his rise as a prominent playwright in 1960s is seen as the coming of age of Modern Indian playwriting in Bengali, just as Vijay Tendulkar did it in Marathi, Mohan Rakesh in Hindi, and Girish Karnad in Kannada. He was awarded the Padma Shri in 1972, Sangeet Natak Akademi Award in 1968 and the Sangeet Natak Akademi Fellowship, the highest honour in the performing arts by Govt. of India, in 1997.erforming arts by Govt. of India, in 1997.
, Badal Sircar, également connu sous le nom … Badal Sircar, également connu sous le nom de Badal Sarkar était un dramaturge et metteur en scène indien, plus particulièrement connu pour ses pièces anti-establishment durant le mouvement naxaliste des années 1970 et par sa volonté de déplacer le théâtre du proscenium vers l'espace public : c'est anisi qu'il transforma sa troupe Shatabdi, créée en 1967, en « tiers théâtre », formule qu'employait aussi Eugenio Barba. Auteur de plus de 50 pièces, il fut un pionnier du théâtre de rue, du théâtre expérimental et du théâte contemporain bengalis avec son théâtre égalitaire du « tiers théâtre ».n théâtre égalitaire du « tiers théâtre ».
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Badal Sircar, ankaŭ konata kiel Badal Sark … Badal Sircar, ankaŭ konata kiel Badal Sarkar, (naskita la 15-an de julio 1925 – mortis la 13-an de majo 2011), estas internacie fama bengala dramaturgo. Li estas konata kiel la ĉefrolulo de teatroĝenro nomata la Tria Teatro, ankaŭ konata kiel Bhuma Teatro. Li partoprenis en la restarigo kaj disvastigo de surstrata teatro ("Nectar Natak") en Bengalio en la 1970-aj jaroj, dum la tempo de la naksalitoj, kiam li popularigis teatraĵojn ekster la scenejo al ordinaraj homoj. En tiu tempo li famiĝis pro la verkado de teatraĵoj kiuj kontraŭstaris la tiaman baratan registaron kiu siavice kontraŭbatalis la naksalitan movadon. Kiel moderna dramaturgo en Barato, la nomo de Badal Sarkar estas menciita en Bengalio kune kun , , kaj Girish Karnad.n Bengalio kune kun , , kaj Girish Karnad.
, Badal Sircar (15 July 1925 – 13 May 2011), … Badal Sircar (15 July 1925 – 13 May 2011), also known as Badal Sarkar, was an influential Indian dramatist and theatre director, most known for his anti-establishment plays during the Naxalite movement in the 1970s and taking theatre out of the proscenium and into public arena, when he transformed his own theatre company, Shatabdi (established in 1967 for proscenium theatre ) as a third theatre group . He wrote more than fifty plays of which , Basi Khabar, and Saari Raat are well known literary pieces. A pioneering figure in street theatre as well as in experimental and contemporary Bengali theatre with his egalitarian "Third Theatre", he prolifically wrote scripts for his Aanganmanch (courtyard stage) performances, and remains one of the most translated Indian playwrights. Though his earlslated Indian playwrights. Though his earl
, Badal Sircar, également connu sous le nom … Badal Sircar, également connu sous le nom de Badal Sarkar était un dramaturge et metteur en scène indien, plus particulièrement connu pour ses pièces anti-establishment durant le mouvement naxaliste des années 1970 et par sa volonté de déplacer le théâtre du proscenium vers l'espace public : c'est anisi qu'il transforma sa troupe Shatabdi, créée en 1967, en « tiers théâtre », formule qu'employait aussi Eugenio Barba. Auteur de plus de 50 pièces, il fut un pionnier du théâtre de rue, du théâtre expérimental et du théâte contemporain bengalis avec son théâtre égalitaire du « tiers théâtre ».n théâtre égalitaire du « tiers théâtre ».
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