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Anya Gallaccio (née en 1963) est une artis … Anya Gallaccio (née en 1963) est une artiste britannique qui crée des installations minimalistes et des in situ et travaille souvent avec de la matière organique (notamment du chocolat, du sucre, des fleurs et de la glace). Son utilisation de matériaux organiques entraîne des processus naturels de transformation et de dégradation, ce qui signifie que Gallaccio est incapable de prédire le résultat final de ses installations. Quelque chose qui au début d'une exposition peut être agréable, tel que le parfum de fleurs ou de chocolat, deviendrait inévitablement de plus en plus désagréable avec le temps. Le caractère ponctuel et spécifique de son travail rend son travail particulièrement difficile à documenter. Son travail remet donc en cause la notion traditionnelle selon laquelle un objet d'art ou une sculpture devrait être essentiellement un monument dans un musée ou une galerie. Au lieu de cela, son travail vit souvent à travers la mémoire de ceux qui l'ont vu et vécu - ou le concept de l'œuvre d'art elle-même. ou le concept de l'œuvre d'art elle-même.
, Anya Gallaccio (Paisley, 1963) és una arti … Anya Gallaccio (Paisley, 1963) és una artista escocesa, que crea instal·lacions artístiques i minimalistes. Sovint treballa amb matèria orgànica, com la xocolata, el sucre, les flors i el gel. En fer servir materials orgànics dona lloc a processos naturals de transformació i descomposició, cosa que significa que Gallaccio és incapaç de predir el resultat final de les seves instal·lacions. Quelcom que a l'estrena d'una exposició pot ser plaent, com ara l'aroma de flors o xocolata, inevitablement arribaria a ser cada vegada més desagradable amb el temps. La naturalesa puntual i específica del seu treball fa que sigui molt difícil de documentar. Per tant, el seu treball qüestiona la noció tradicional segons la qual un objecte d'art o una escultura ha de ser essencialment un monument dins d'un museu o galeria. En lloc d'això, el seu treball sovint viu a través de la memòria dels que el van veure i experimentar, o el concepte de l'obra en si. El 2003, Gallaccio va ser nominada al Premi Turner juntament amb , i . Una de les seves peces per a l'exposició va ser preserve "beauty" (1991-2003), feta de vidre, fixacions i 2.000 gerberes vermelles. El 2006 va ser inclosa en la llista "Pink Power" com una de les cent persones gais i lesbianes més influents.t persones gais i lesbianes més influents.
, Anya Gallaccio (born 1963) is a British ar … Anya Gallaccio (born 1963) is a British artist, who creates site-specific, minimalist installations and often works with organic matter (including chocolate, sugar, flowers and ice). Her use of organic materials results in natural processes of transformation and decay, meaning that Gallaccio is unable to predict the end result of her installations. Something which at the start of an exhibition may be pleasurable, such as the scent of flowers or chocolate, would inevitably become increasingly unpleasant over time. The timely and site-specific nature of her work make it notoriously difficult to document. Her work therefore challenges the traditional notion that an art object or sculpture should essentially be a monument within a museum or gallery. Instead her work often lives through the memory of those that saw and experienced it - or the concept of the artwork itself.it - or the concept of the artwork itself.
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Anya Gallaccio (née en 1963) est une artiste britannique qui crée des installations minimalistes et des in situ et travaille souvent avec de la matière organique (notamment du chocolat, du sucre, des fleurs et de la glace).
, Anya Gallaccio (born 1963) is a British ar … Anya Gallaccio (born 1963) is a British artist, who creates site-specific, minimalist installations and often works with organic matter (including chocolate, sugar, flowers and ice). Her use of organic materials results in natural processes of transformation and decay, meaning that Gallaccio is unable to predict the end result of her installations. Something which at the start of an exhibition may be pleasurable, such as the scent of flowers or chocolate, would inevitably become increasingly unpleasant over time. The timely and site-specific nature of her work make it notoriously difficult to document. Her work therefore challenges the traditional notion that an art object or sculpture should essentially be a monument within a museum or gallery. Instead her work often lives through the memstead her work often lives through the mem
, Anya Gallaccio (Paisley, 1963) és una arti … Anya Gallaccio (Paisley, 1963) és una artista escocesa, que crea instal·lacions artístiques i minimalistes. Sovint treballa amb matèria orgànica, com la xocolata, el sucre, les flors i el gel. En fer servir materials orgànics dona lloc a processos naturals de transformació i descomposició, cosa que significa que Gallaccio és incapaç de predir el resultat final de les seves instal·lacions. Quelcom que a l'estrena d'una exposició pot ser plaent, com ara l'aroma de flors o xocolata, inevitablement arribaria a ser cada vegada més desagradable amb el temps. La naturalesa puntual i específica del seu treball fa que sigui molt difícil de documentar. Per tant, el seu treball qüestiona la noció tradicional segons la qual un objecte d'art o una escultura ha de ser essencialment un monument dins d'unde ser essencialment un monument dins d'un
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Anya Gallaccio
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