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American march music is march music writte … American march music is march music written and/or performed in the United States. Its origins are those of European composers borrowing from the military music of the Ottoman Empire in place there from the 16th century. The American genre developed after the British model during the colonial and Revolutionary periods, then later as military ceremonials and for civilian entertainment events. One of the earliest exponents of march music in America and its preeminent champion was John Philip Sousa, "The March King"; who revolutionized and standardized American march music during the 19th and early 20th centuries. Some of his most famous marches—"Semper Fidelis", "The Washington Post", "The Liberty Bell March", and "The Stars and Stripes Forever"—are among the best known of historical American music and are especially revered by many Americans for their rousing strains and patriotic themes. His "Stars and Stripes Forever" features what is arguably the most famous piccolo obligato in all of music. Other notable American composers of march music include Henry Fillmore – "The Circus Bee";Charles A. Zimmerman – "Anchors Aweigh"; W. Paris Chambers – "Sweeney's Cavalcade"; Edwin E. Bagley – "National Emblem March"; Meredith Willson – "Seventy-six Trombones"; and George Gershwin – "Strike Up the Band". Composers (from Europe or elsewhere) of march music popular in the US include: Johann Strauss Sr – "Radetzky March"; Kenneth J. Alford – "Colonel Bogey March"; Julius Fucik – "Entry of the Gladiators"; Edward Elgar – "Pomp and Circumstance (No. 1)". The forms of American march music typically are of three categories: the military march form, the regimental march form, and a general group containing recapitulation marches, "four-step" marches, and other diverse forms. All marches have at least three common elements, including: different (i.e., contrasting) sections called strains; several different melodies; and a "trio" section of strains/ that offers pronounced contrasts in phrasing. Most American marches use (seemingly) simple chord progressions, but—using chromatic harmonies, sevenths extensions, and secondary dominants—composers often complicated their marches with interesting chords and rapid chord changes.nteresting chords and rapid chord changes.
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The rest of "The Thunderer"
, Full midi of "The Thunderer" by John Philip Sousa
, "The Thunderer" trio
, Henry Fillmore's "The Circus Bee", a circus band screamer performed by the United States Marine Corps Band
, Second strain of "The Thunderer"
, John Philip Sousa's "The Thunderer", introduction
, The United States Marine Band performs "The Stars and Stripes Forever", the national march of the United States
, The United States Marine Band performs "The Washington Post", one of Sousa's most famous marches
, First strain of "The Thunderer"
, Austrian Johann Strauss I's "Radetzky March" , which became popular in the U.S.; arranged for the United States Marine Corps Band
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Radetzky March.ogg
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The Stars and Stripes Forever March
, The Thunderer trio
, The Thunderer introduction
, The Thunderer breakstrain and trio grandioso
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, The Thunderer second strain
, The Circus Bee
, The Thunderer first strain
, The Thunderer
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American march music is march music writte … American march music is march music written and/or performed in the United States. Its origins are those of European composers borrowing from the military music of the Ottoman Empire in place there from the 16th century. The American genre developed after the British model during the colonial and Revolutionary periods, then later as military ceremonials and for civilian entertainment events.als and for civilian entertainment events.
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